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I feel more alive when I’m writing than I do at any other time — except when I’m making love. Two things when you forget time, when nothing exists except the moment — the moment of the writing, the moment of love. That perfect concentration is bliss.

May Sarton
May Sarton (1912-1995) Belgian-American poet, novelist, memoirist [pen name of Eleanore Marie Sarton]
Interview (1983)
 
Added on 23-Nov-21 | Last updated 23-Nov-21
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My feeling about technique in art is that it has about the same value as technique in love-making. That is to say, on the one hand, heartfelt ineptitude has its appeal and, on the other hand, so does heartless skill; but what you want is passionate virtuosity.

John Barth - Passionate Virtuosity

John Barth (b. 1930) American writer
“An Interview with John Barth,” by Alan Prince and Ian Carruthers, Prism (Spring 1968)
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The quotation from the interview (originally credited only to Prince) was also included in the inside dust cover of Barth's short story collection, Lost in the Funhouse (1968), and is sometimes cited to that book.

The longer quote was paraphrased to the form in the graphic above on the dust cover of Charles B. Harris, Passionate Virtuosity: The Fiction of John Barth (1983):

In art as in lovemaking, heartfelt ineptitude has its appeal and so does heartless skill, but what you want is passionate virtuosity.

Harris later gives the full quotation inside his book.

Also used by Barth in "Dunyazadiad," Esquire (1972-07-01), reprinted in Chimera (1972):

Heartfelt ineptitude has its appeal, Dunyazade; so does heartless skill. But what you want is passionate virtuosity.

 
Added on 12-Mar-20 | Last updated 6-Jul-23
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Night makes no difference ‘twixt the priest and clerk;
Joan as my lady is as good i’ th’ dark.

Robert Herrick (1591-1674) English poet
“No Difference i’ th’ Dark,” Hesperides, # 864 (1648)
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Added on 27-Jul-17 | Last updated 12-Apr-24
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