Quotations about:
    song


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There is a legend about a bird that sings just once in its life, more sweetly than any other creature on the face of the earth. From the moment it leaves the nest it searches for a thorn tree and does not rest until it has found one. Then, singing among the savage branches, it impales itself upon the longest, sharpest spine. Dying, it rises above its own agony to out-carol the lark and the nightingale. One superlative song, existence the price. But the whole world stills to listen, and God in His heaven smiles. For the best is only bought at the cost of the great pain. … Or so says the legend.

Colleen McCullough
Colleen McCullough (1937-2015) Australian author
The Thorn Birds, Epigraph (1977)
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Added on 30-Aug-23 | Last updated 30-Aug-23
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Morning has broken,
Like the first morning,
Blackbird has spoken
Like the first bird.
Praise for the singing!
Praise for the morning!
Praise for them springing
Fresh from the Word!

Eleanor Farjeon
Eleanor Farjeon (1881-1965) English author
“Morning Has Broken” (1931)
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Set to music and popularized by Cat Stevens in Teaser and the Firecat (1971).
 
Added on 3-Jul-23 | Last updated 3-Jul-23
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Far over the misty mountains cold
To dungeons deep and caverns old
We must away ere break of day
To seek the pale enchanted gold.

The dwarves of yore made mighty spells,
While hammers fell like ringing bells
In places deep, where dark things sleep,
In hollow halls beneath the fells.

For ancient king and elvish lord
There many a gleaming golden hoard
They shaped and wrought, and light they caught
To hide in gems on hilt of sword.

On silver necklaces they strung
The flowering stars, on crowns they hung
The dragon-fire, in twisted wire
They meshed the light of moon and sun.

Far over the misty mountains cold
To dungeons deep and caverns old
We must away, ere break of day,
To claim our long-forgotten gold.

Goblets they carved there for themselves
And harps of gold; where no man delves
There lay they long, and many a song
Was sung unheard by men or elves.

The pines were roaring on the height,
The winds were moaning in the night.
The fire was red, it flaming spread;
The trees like torches blazed with light.

The bells were ringing in the dale
And men they looked up with faces pale;
The dragon’s ire more fierce than fire
Laid low their towers and houses frail.

The mountain smoked beneath the moon;
The dwarves they heard the tramp of doom.
They fled their hall to dying fall
Beneath his feet, beneath the moon.

Far over the misty mountains grim
To dungeons deep and caverns dim
We must away, ere break of day,
To win our harps and gold from him!

J.R.R. Tolkien (1892-1973) English writer, fabulist, philologist, academic [John Ronald Reuel Tolkien]
The Hobbit, ch. 1 “An Unexpected Party” [Thorin, et al.] (1937)
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Song sung by Thorin Oakenshield and the rest of his dwarvish company.
 
Added on 26-Jan-11 | Last updated 25-Aug-22
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He who sings, prays twice.

[Qui cantat, bis orat.]

Augustine of Hippo (354-430) Christian church father, philosopher, saint [b. Aurelius Augustinus]
(Spurious)

Sometimes cited to Sermon 336, but this text is not found  there. Often given as "Qui bene cantat bis orat" (properly, "He who sings well prays twice.")

The closest found in Augustine's work (CCL 39, per here) is:

For he who sings praise, does not only praise, but also praises joyfully; he who sings praise, not only sings, but also loves Him whom he is singing about/to/for. There is a praise-filled public proclamation in the praise of someone who is confessing/acknowledging God, in the song of the lover there is love.

[Qui enim cantat laudem, non solum laudat, sed etiam hilariter laudat; qui cantat laudem, non solum cantat, sed et amat eum quem cantat. In laude confitentis est praedicatio, in cantico amantis affectio.

Alternate:

The one who sings praise, not only praises, but also praises joyfully; the one who sings praise, not only sings, but also loves Him for whom he sings. In the praise by one who confesses the Divine Being, praise actually is a public profession; and in the song of the lover is affection for the Beloved.

But that's still not the simplified version, even in meaning, that is the subject matter here.

The earliest I could find the Latin, Qui cantat, bis orat, was in Wenzel Nicolaides, Cantiones Evangelicae: Ad Usitatas Harmonias (1554).

For more discussion, see here:

 
Added on 16-Mar-10 | Last updated 19-Aug-24
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Written down like this, it doesn’t seem a very good song, but coming through pale fawn fluff at about half-past eleven on a very sunny morning, it seemed to Pooh to be one of the best songs he had ever sung. So he went on singing it.

A. A. Milne (1882-1956) English poet and playwright [Alan Alexander Milne]
House at Pooh Corner, ch. 4 “Tiggers Don’t Climb Trees” (1928)
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Added on 1-Feb-04 | Last updated 27-Jun-24
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