A real writer learns from earlier writers the way a boy learns from an apple orchard — by stealing what he has a taste for and can carry off.
Archibald MacLeish (1892–1982) American poet, writer, statesman
In Charles Poore, “Mr. MacLeish and the Disenchantmentarians,” The New York Times (25 Jan 1968)
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homage
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About the most originality that enny writer kan hope tew arrive at honestly, now-a-days, is tew steal with good judgment.
[About the most originality that any writer can hope to arrive at honestly, nowadays, is to steal with good judgment.]
Josh Billings (1818-1885) American humorist, aphorist [pseud. of Henry Wheeler Shaw]
Josh Billings on Ice, and Other Things, ch. 41 “Orphan Children” (1868)
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Variant: "About the most originality that any writer can hope to achieve honestly is to steal with good judgment."
And yet there is a degree to which […] all literature, highbrow or low, from the Aeneid onward, is fan fiction. […] Through parody and pastiche, allusion and homage, retelling and reimagining the stories that were told before us and that we have come of age loving — amateurs — we proceed, seeking out the blank places in the map that our favorite writers, in their greatness and negligence, have left for us, hoping to pass on to our own readers — should we be lucky enough to find any — some of the pleasure that we ourselves have taken in the stuff we love: to get in the game. All novels are sequels; influence is bliss.