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You see we make our writers into something very strange. […] We destroy them in many ways. First, economically. They make money. It is only by hazard that a writer makes money although good books always make money eventually. Then our writers when they have made some money increase their style of living and are caught. They have to write to keep up their establishment, their wives, and so on, and they write slop. It is slop not on purpose but because it is hurried. Because they are ambitious. Then, once they have betrayed themselves, they justify it and you get more slop. Or else they read the critics. If they believe the critics when they say they are great then they must believe them when they say they are rotten and they lose confidence. At present we have two good writers who cannot write because they have lost confidence through reading the critics. If they wrote, sometimes it would be good and sometimes not so good and sometimes it would be quite bad, but the good would get out. But they have read the critics, and they must write masterpieces. The masterpieces the critics said they wrote. They weren’t masterpieces, of course. They were just quite good books. So now they cannot write at all. The critics have made them impotent.

Ernest Hemingway (1899-1961) American writer
Green Hills of Africa, ch. 1 (1935)
    (Source)

Speaking of American writers.
 
Added on 6-May-22 | Last updated 1-Jun-22
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His poetry seems to please the critics, and because it is plain-spoken, rhymes and scans, it pleases human beings as well.

Isaac Asimov (1920-1992) Russian-American author, polymath, biochemist
Familiar Poems Annotated, “Robert Frost, ‘Fire and Ice'” (1977)
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Added on 19-Feb-22 | Last updated 19-Feb-22
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You are astonished to find yourself the butt of so much calumny, opposition, indifference and ill-will. You will be more so and have more of it; it is the reward of the good and the beautiful: one may calculate the value of a man from the number of his critics and the importance of a work by the evil said of it.

Gustave Flaubert (1821-1880) French writer, novelist
Letter to Louise Colet (14 Jun 1853) [tr. Hannigan (1896)]
    (Source)

Alternate translation: "You can calculate the worth of a man by the number of his enemies, and the importance of a work of art by the harm that is spoken of it." [Source]
 
Added on 10-Jun-21 | Last updated 10-Jun-21
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What I’m suggesting is, stand for yourself, be for something and the hell with it. Because the hand-wringers and the editorialists and the sigh-and-pontificate crowd will be against you, whatever you do.

James Carville (b. 1944) American political consultant
Interview with Joan Walsh, Salon (11 Mar 2002)
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Added on 3-Aug-20 | Last updated 3-Aug-20
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A wise man gets more use from his enemies than a fool from his friends.

[Al varón sabio más le aprovechan sus enemigos que al necio sus amigos.]

Baltasar Gracián y Morales (1601-1658) Spanish Jesuit priest, writer, philosopher
The Art of Worldly Wisdom [Oráculo Manual y Arte de Prudencia], § 84 (1647) [tr. Jacobs (1892)]
    (Source)

See also Aristophanes. (Source (Spanish)). Alternate translations:

The wise man draws more advantage from his Enemies, than the fool does from his Friends.
[Flesher ed. (1685)]

To a wise man, his enemies avail him more, than to a fool, his friends.
[tr. Fischer (1937)]

The wise person finds enemies more useful than the fool finds friends.
[tr. Maurer (1992)]

 
Added on 25-Jul-07 | Last updated 19-Dec-22
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