The problem of censorship in television is not only a writer’s problem. What narrows his frame of reference must of necessity narrow the area of television entertainment available to the audience. When the television drama is forced to go around Robin Hood’s barn tying itself into verbal knots to evolve as stainlessly nonpartisan, whatever nonsense comes out as the replacement is the nonsense that an audience must live with on its television sets. Perhaps if some thoughtful people would write to sponsors, pleading for an adult airing of issues on a dramatic program, to counteract those cranks who hoist up the Stars and Bars whenever a play suggests a racial controversy, the sponsor or agency would realize that not to attack a controversial theme might be just as destructive as attacking it.
Rod Serling (1924-1975) American screenwriter, playwright, television producer, narrator
Patterns, Introduction (1957)
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Quotations about:
controversy
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A Martian can say things that a Republican or a Democrat can’t.
Rod Serling (1924-1975) American screenwriter, playwright, television producer, narrator
Quoted in Anne Serling, As I Knew Him: My Dad, Rod Serling (2013)
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On being able to slip more controversial television script ideas past networks and sponsors if done in a science fiction or fantasy setting.
Wish they’d let us write about the Little Rock situation. Funny, there were about seven or eight dramatic treatments of the Hungarian uprising but the spectacle of adult whites taunting a couple of defenseless little Negro girls is considered controversial. Wrong? That’s not controversy. If anybody takes the pro side in that particular battle, they’d better change flags.
Rod Serling (1924-1975) American screenwriter, playwright, television producer, narrator
Comment (1957), in Anne Serling, As I Knew Him: My Dad, Rod Serling (2013)
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Serling frequently complained of TV commercial sponsors (and the networks that depended on them) refusing to allow any TV dramas that might offend viewers, especially Southerners -- in this instance, referring to the controversy over Arkansas school integration.
Me kindly Rome loves, quotes my books, and buys them;
But till that critic feigning to despise them
Blushed and turned pale, then yawned and looked confounded,
I never felt my fame was surely grounded.[Laudat, amat, cantat nostros mea Roma libellos,
Meque sinus omnes, me manus omnis habet.
Ecce rubet quidam, pallet, stupet, oscitat, odit.
Hoc volo: nunc nobis carmina nostra placent.]Martial (AD c.39-c.103) Spanish Roman poet, satirist, epigrammatist [Marcus Valerius Martialis]
Epigrams [Epigrammata], Book 6, epigram 60 (6.60) (AD 91) [tr. Pott & Wright (1921)]
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(Source (Latin)). Alternate translations:
Rome lauds, & loves, & reades my works,
and singes them every where:
Each fist doth hld me clutched fast,
eache bosome me doth beare.
One bluseth lo, as red as fyre,
anone as pale as claye:
Anone he looks astonished,
as one did hym dismaye:
Sometime he mumping mockes and moes,
sometime he doth repine:
Ymarrie, this is that I would:
now please me verses mine.
[tr. Kendall (1577)]
Rome hugs my verse, and cries up for rare,
My books each hand and ev'ry bosom bear;
There's one yet lowers, disdains, is ill at ease:
I'm glad; my verses now myself do please.
[tr. Killigrew (1695)]
The town beloves, applauds, attunes my strains;
Each hand engrasps them, and each bosom gains:
See one change color, grin, and gape with hate!
This crowns my wish: be this my Muse's fate.
[tr. Elphinston (1782)], Book 2, ep. 16]
Rome, city of my affections, praises, loves, and recites my compositions;
I am in every lap, and in every hand.
But see, yon gentleman grows red and pale by turns, looks amazed, yawns, and, in fact, hates me.
I am delighted at the sight; my writings now please me.
[tr. Bohn's Classical (1859), ep. 61]
Quite friendly, Rome applauds my lay;
dotes on it, quotes it day by day.
My verses every pocket fill,
And every hand bethumbs me still.
See, yonder man turns red and white,
Winces, and yawns disgusted quite.
This I enjoy; by this I tell
That now my verses please me well.
[tr. Webb (1879), ep. 61]
My Rome praises, loves, and hums my verses,
and every pocket, every hand holds me.
See, yonder fellow turns red, turns pale, is dazed, yawns, curses! v This is what I want; now my verses please me!
[tr. Ker (1919)]
All Rome extols and loves and quotes my lines
And every bosom holds them, every hand;
See one that reddens, pales, yawns, stares and pines.
Ah! now at last their worth I understand.
[tr. Francis & Tatum (1924), #306 (ep. 6.61), "A Hit"]
Rome praises, loves, and sings my little verses;
They're in all hands, all pockets, and all purses.
Look there! One blushes, pales, gasps, yawns, and curses.
That's what I want! I'm happy with my verses.
[tr. Barth (1988)]
All Rome is mad about my book:
It's praised, they hum the lines, shops stock it,
It peeps from every hand and pocket.
There's a man reading it! Just look --
He blushes, turns pale, reels, yawns, curses.
That's what I'm after. Bravo, verses!
[tr. Michie (1972)]
My Rome praises my little books, loves them, recites them; I am in every pocket, every hand. Look, somebody turns red, turns pale, is dazed, yawns, is disgusted. This I want. Now my poems please me.
[tr. Shackleton Bailey (1993)]
For my small books Rome's gone utterly mad;
I'm quite ubiquitous -- call it a fad.
Look, there -- see that fellow, leafing, curious.
First he blushes deeply, then he's furious;
A moment later his eyes glaze over;
He yawns, flips a page, then reels in horror.
This mercurial response I thrill to see;
Why, then my epigrams even please me!
[tr. Schmidgall (2001)]
Rome praises, loves, and quotes my little books,
I’m there in every pocket, every hand.
See them blush, turn white, stunned, yawn, disgusted.
I like it: now’s when my poems give me delight.
[tr. Kline (2006)]
He reads my verses, just to be in fashion.
But finds himself whipsawed by sudden passion.
He frowns, then chortles -- chokes at what he reads --
And calls them the most infamous of screeds,
Then he goes pale, as under some indicting --
You've got him, poems! That's what I call writing.
[tr. Wills (2007)]
Rome praises, loves, recites my little books.
I'm carried in each hand or pocket. See!
Someone blushes, gapes, yawns, or hates it.
That's what I want: my verse now pleases me.
[tr. McLean (2014)]
My Rome praises, loves and quotes my books,
which fill all pockets and all hands.
Readers blush, then pale, look dazed, curse, swear.
Yes! Yes! This is what I’d always planned.
[tr. Matthews]
It is advantageous to an author, that his book should be attacked as well as praised. Fame is a shuttlecock. If it be struck at one end of the room, it will soon fall to the ground. To keep it up, it must be struck at both ends.
Samuel Johnson (1709-1784) English writer, lexicographer, critic
Comment (11-19 Nov 1793), in James Boswell, Journey of a Tour to the Hebrides (1785)
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It happens sometimes that two opposite tendencies flourish together, deriving strength from a sense of the danger with which each is threatened by the popularity of the other. Where the antagonism is not absolute, each may gain by being compelled to recognise the strong points in the rival position. In a serious controversy the right is seldom or never all on one side; and in the normal course of events both theories undergo some modification through the influence of their opponents, until a compromise, not always logically defensible, brings to an end the acute stage of the controversy.
William Ralph Inge (1860-1954) English prelate [Dean Inge]
“Institutionalism and Mysticism” (1914), Outspoken Essays: First Series (1914)
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Our errors and our controversies, in the sphere of morality, arise sometimes from looking on men as though they could be altogether bad, or altogether good.
[Nos erreurs et nos divisions dans la morale viennent quelquefois de ce que nous considérons les hommes comme s’ils pouvaient être tout à fait vicieux ou tout à fait bons.]
Luc de Clapiers, Marquis de Vauvenargues (1715-1747) French moralist, essayist, soldier
Reflections and Maxims [Réflexions et maximes], # 31 (1746) [tr. Stevens (1940)]
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Without debate, without criticism, no Administration and no country can succeed — and no republic can survive. That is why the Athenian lawmaker Solon decreed it a crime for any citizen to shrink from controversy. And that is why our press was protected by the First Amendment — the only business in America specifically protected by the Constitution — not primarily to amuse and entertain, not to emphasize the trivial and the sentimental, not to simply “give the public what it wants” — but to inform, to arouse, to reflect, to state our dangers and our opportunities, to indicate our crises and our choices, to lead, mold, educate and sometimes even anger public opinion.
John F. Kennedy (1917-1963) US President (1961-63)
Speech, American Newspaper Publishers Association (27 Apr 1961)
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When a subject is highly controversial — and any question about sex is that — one cannot hope to tell the truth. One can only show how one came to hold whatever opinion one does hold. One can only give one’s audience the chance of drawing their own conclusions as they observe the limitations, the prejudices, the idiosyncrasies of the speaker.
Virginia Woolf (1882-1941) English modernist writer [b. Adeline Virginia Stephen]
A Room of One’s Own, ch. 1 (1929)
We believe very strongly on preserving the right to differ in this country, and the right to dissent; and if I have done a good job of anything since I’ve been president, it’s to ensure that there are plenty of dissenters.
Lyndon B. Johnson (1908-1973) American politician, educator, US President (1963-69)
Press Conference (1967-11-17)
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