A serious and good philosophical work could be written consisting entirely of jokes.
Ludwig Wittgenstein (1889-1951) Austrian-English philosopher
Quoted in Norman Malcolm, Ludwig Wittgenstein: A Memoir (1958)
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This is usually presented as a direct quotation, but is perhaps a paraphrase. The full passage from Malcolm:It is worth noting that Wittgenstein once said that a serious and good philosophical work could be written that would consist entirely of jokes (without being facetious).
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Nor ought you ever to laugh at any joke or smart saying of your own; for you will be thought to applaud your own wit. It belongs to the company, and not to him who says a good thing, to express their approbation by a laugh.
[Né de’ tuoi medesimi motti voglio che tu ti rida, che è un lodarti da te stesso: egli tocca di ridere a chi ode, e non a chi dice.]
Giovanni della Casa (1503-1556) Florentine poet, author, diplomat, bishop
Galateo: Or, A Treatise on Politeness and Delicacy of Manners [Il Galateo overo de’ costumi], ch. 30 (1558) [tr. Graves (1774)]
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(Source (Italian)). Alternate translations:But a man must beware he doe not laughe at his owne gestes, and his doings. For that makes men weene hee woulde faine praise him selfe. It is for other men to laughe that heare, and not for him that telles the tale.
[tr. Peterson (1576)]And I do not want you to laugh at your own jokes, for it is a type of self-praise. It is the hearer who should laugh, not the speaker.
[tr. Eisenbichler/Bartlett (1986)]The question of laughter lies with the hearer, not with the narrator.
[Source]
Remember, that the wit, humor, and jokes of most mixed companies are local. They thrive in that particular soil, but will not often bear transplanting. Every company is differently circumstanced, has its particular cant, and jargon; which may give occasion to wit and mirth, within that circle, but would seem flat and insipid in any other, and therefore will not bear repeating.
Lord Chesterfield (1694-1773) English statesman, wit [Philip Dormer Stanhope]
Letter to his son, #167 (29 Oct 1748)
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Thou canst not joke an Enemy into a Friend; but thou may’st a Friend into an Enemy.
Benjamin Franklin (1706-1790) American statesman, scientist, philosopher, aphorist
Poor Richard’s Almanack (Apr 1739)
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I have found throughout my life that, if all else fails, the character of a man can be recognized by nothing so surely as by a jest which he takes badly.
If you can’t joke about the most horrendous things in the world, what’s the point of jokes? What’s the point in having humor? Humor is to get us over terrible things. That’s all it’s for. That’s why you should laugh at funerals. Of course it’s the wrong thing to say. That’s why it’s funny.
Ricky Gervais (b. 1961) English comedian, actor, director, writer
Interview with Chris Heath, GQ (15 May 2013)
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For every ten jokes, thou hast got a hundred enemies.
Laurence Sterne (1713-1786) Anglo-Irish novelist, Anglican clergyman
Tristam Shandy, Book 1, ch. 12 (1760-1767)
As nothing is more provoking to some tempers than raillery, a prudent person will not always be satirically witty where he can, but only where he may without offence. For he will consider the that the finest stroke of raillery is but a witticism; and that there is hardly any person so mean, whose good will is not preferable to the pleasure of a horse-laugh.
James Burgh (1714-1775) British politician and writer
The Dignity of Human Nature, Sec. 5 “Miscellaneous Thoughts on Prudence in Conversation” (1754)
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A thing is funny when — in some way that is not actually offensive or frightening — it upsets the established order. Every joke is a tiny revolution. If you had to define humour in a single phrase, you might define it as dignity sitting on a tin-tack. Whatever destroys dignity, and brings down the mighty from their seats, preferably with a bump, is funny. And the bigger the fall, the bigger the joke. It would be better fun to throw a custard pie at a bishop than at a curate.
Sometimes I wonder whether the world is being run by smart people who are putting us on or by imbeciles who really mean it.
Mark Twain (1835-1910) American writer [pseud. of Samuel Clemens]
(Misattributed)
Not found in Twain's work, and the phrase "putting [someone] on" post-dates Twain.
The quotation actually appears to come from Laurence J. Peter and Raymond Hull, The Peter Principle, ch. 7 (1969). Peter writes that during a lecture, a Latin American student named Caesare Innocente, said to him:Professor Peter, I'm afraid that what I want to know is not answered by all my studying. I don't know whether the world is run by smart men who are, how you Americans say, putting us on, or by imbeciles who really mean it.
More discussion: slang - What is the origin of "putting someone on" - English Language & Usage Stack Exchange.
For the name of these gods there is both a serious and a humorous explanation; the serious explanation is not to be had from me, but there is no hindrance to my offering the humorous one, for the gods too are fond of a joke.
[ἀλλὰ ἔστι γὰρ καὶ σπουδαίως εἰρημένος ὁ τρόπος τῶν ὀνομάτων τούτοις τοῖς θεοῖς καὶ παιδικῶς. τὸν μὲν οὖν σπουδαῖον ἄλλους τινὰς ἐρώτα, τὸν δὲ παιδικὸν οὐδὲν κωλύει διελθεῖν: φιλοπαίσμονες γὰρ καὶ οἱ θεοί.]
Socrates (c.470-399 BC) Greek philosopher
In Plato, Cratylus [Κρατύλος], ch. 23 / 406c [tr. Hyers (1969)]
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The final phrase, "The gods, too, are fond of a joke," is broadly misattributed to Aristotle, without any citation. It is also sometimes misattributed to Edward Albee.
Cratylus is dialogue about the nature of names. Socrates, here, has been asked about the origins of the names of the gods, Dionysus and Aphrodite. Burges (below) notes that Plato had been "partly initiated into the mysteries of Demeter and Dionysus," part of which dealt seriously with the meanings of those deities' names; his avoiding the "serious explanation" is not betray his oath of secrecy to the cult.
(Source (Greek)). Alternate translations:But the mode of nomination, belonging to these divinities, is both serious and jocose. Ask therefore others about the serious mode; but nothing hinders us from relating the jocose; for these deities are lovers of jesting and sport.
[tr. Taylor (1804)]But the manner of the appellations given to these divinities, has been said to be both serious and jocose. Ask therefore others about the serious manner; but nothing hinders us from relating the jocose; for these deities are lovers of jesting and sport.
[tr. Burges (1850)]There is a serious and also a facetious explanation of both these names; the serious explanation is not to be had from me, but there is no objection to your hearing the facetious one; for the Gods too love a joke.
[tr. Jowett (1892)]You see there is both a serious and a facetious account of the form of the name of these deities. You will have to ask others for the serious one; but there is nothing to hinder my giving you the facetious account, for the gods also have a sense of humor.
[tr. Fowler (1926)]
Wit has truth in it; wisecracking is simply calisthenics with words.
Dorothy Parker (1893-1967) American writer
Interview (1956, Summer), “The Art of Fiction, No. 13,” by Marion Capron, The Paris Review, Issue 13
Collected in Writers at Work: The Paris Review Interviews, First Series (1958).
In a theatre it happened that a fire started off stage. The clown came out to tell the audience. They thought it was a joke and applauded. He told them again, and they became still more hilarious. This is the way, I suppose, that the world will be destroyed — amid the universal hilarity of wits and wags who think it is all a joke.
Søren Kierkegaard (1813-1855) Danish philosopher, theologian
Either/Or, “Diapsalmata” (1843)
Alternate translation: "It happened that a fire broke out backstage in a theater. The clown came out to inform the public. They thought it was a jest and applauded. He repeated his warning. They shouted even louder. So I think the world will come to an end amid the general applause from all the wits who believe that it is a joke."
Alternate translation: "A fire broke out backstage in a theatre. The clown came out to warn the public; they thought it was a joke and applauded. He repeated it; the acclaim was even greater. I think that's just how the world will come to an end: to the general applause of wits who believe it's a joke"
