If we are indeed here to perfect and complete our own natures, and grow larger, stronger, and more sympathetic against some nobler career in the future, we had all best bestir ourselves to the utmost while we have the time. To equip a dull, respectable person with wings would be but to make a parody of an angel.
Quotations about:
vigor
Note not all quotations have been tagged, so Search may find additional quotes on this topic.
This man through all his new life, fresh and young,
in virtual power was one who might have proved,
in all of his behaviour, wonderful.
Yet there, on earth, the richer soil may be,
the more — untilled or sown with evil seed —
its vigour turns to wilderness and bane.[Questi fu tal ne la sua vita nova
virtüalmente, ch’ogne abito destro
fatto averebbe in lui mirabil prova.
Ma tanto più maligno e più silvestro
si fa ’l terren col mal seme e non cólto,
quant’elli ha più di buon vigor terrestro.]Dante Alighieri (1265-1321) Italian poet
The Divine Comedy [Divina Commedia], Book 2 “Purgatorio,” Canto 30, l. 115ff (3.115-120) [Beatrice] (1314) [tr. Kirkpatrick (2007)]
(Source)
Beatrice, speaking of Dante.
(Source (Italian)). Alternate translations:Such genuine worth adorn'd his early days,
That each prolific stem of heav'nly Grace
In that rich Mould a genuine footing found:
But, oh! the rankest soil but serves to feed
The plant of juice malign, and noxious weed.
If Culture's hand neglect the hapless ground.
[tr. Boyd (1802), st. 26]This man
Was in the freshness of his being, such,
So gifted virtually, that in him
All better habits wond’rously had thriv’d.
The more of kindly strength is in the soil,
So much doth evil seed and lack of culture
Mar it the more, and make it run to wildness.
[tr. Cary (1814)]This man was such, in his new being found,
Of virtuous kind, that every nobler way
In him gave proof of wonderful essay;
So much the more malignant, wild the soil
Of earth with evil seed, untilled with toil,
The more good vigour and terrestrial oil.
[tr. Bannerman (1850)]Such had this man become in his new life
Potentially, that every righteous habit
Would have made admirable proof in him;
But so much more malignant and more savage
Becomes the land untilled and with bad seed,
The more good earthly vigour it possesses.
[tr. Longfellow (1867)]This man was such in his new life, potentially, that every right habit would have wrought in him a wondrous result. But all the more malign and the more wild becomes the ground with bad seed and uncultivated, in proportion as it has from the soil more of good force.
[tr. Butler (1885)]This one was such in new life's opening hour
Fitted for good, that every virtuous growth
Had made in him miraculous proof of power.
But so much more malign and tangled groweth,
With poisonous wilding seeds, the uncultured sward,
As of terrestrial strength the more it show.
[tr. Minchin (1885)]This man was such in his new life, virtually, that every right habit would have made admirable proof in him. But so much the more malign and more savage becomes the land ill-sown and untilled, as it has more of good terrestrial vigor.
[tr. Norton (1892)]This man was such in his new life potentially, that every good talent would have made wondrous increase in him.
But so much the more rank and wild the ground becomes with evil seed and untilled, the more it hath of good strength of soil.
[tr. Okey (1901)]This man in his early life was such potentially that every right disposition would have come to marvelous proof in him; but so much the more noxious and wild the ground becomes, with bad seed and untilled, as it has more good strength of soil.
[tr. Sinclair (1939)]This man was such in natural potency,
In his new life, that all the ingrained good
Looked in him to have fruited wonderously.
But so much groweth the more rank and rude
The soil with bad seed and unhusbanded,
The more it hath from earth of hardihood.
[tr. Binyon (1943)][...] had so endowed this man, potentially,
In his new life, that from such gifts as those
A wondrous harvest would have come to be.
But so much ranker, weedier, and more gross
Runs the untended field where wild tares seed,
As the good soil is rich and vigorous.
[tr. Sayers (1955)]This man, potentially, was so endowed
from early youth that marvelous increase
should have come from every good he sowed.
But richest soil the soonest will grow wild
with bad seed and neglect.
[tr. Ciardi (1961)]This man was such in his new life, virtually, that every right disposition would have made marvelous proof in him. But so much the more rank and wild becomes the land, ill-sown and untilled, as it has more of good strength of soil.
[tr. Singleton (1973)][...] was this man so endowed, potentially,
in early youth -- had he allowed his gifts
to bloom, he would have reaped abundantly.
But the more vigorous and rich the soil,
the wilder and weedier it grows
when left untilled, its bad seeds flourishing.
[tr. Musa (1981)]This man, in his youthful years, had such
Possibilities, that every propitious tendency
Would have produced some marvelous result in him.
But ground sown with bad seed and not cultivated
Becomes the more malignant and overgrown
The more wholesome vigour there is in the soil.
[tr. Sisson (1981)]He
when young, was such -- potentially -- that any
propensity innate in him would have
prodigiously succeeded, had he acted.
But where the soil has finer vigor, there
precisely -- when untilled or badly seeded --
will that terrain grow wilder and more noxious.
[tr. Mandelbaum (1982)]This man, potentially, was such in his vita nuova, his new life, that every true skill would have grown miraculously in him. But the more good qualities the earth’s soil has, the more wild and coarse it becomes with evil seed, and lack of cultivation.
[tr. Kline (2002)]He was such in his new life, potentially, that every good habit would have produced a marvelous result in him.
But all the more malignant and wild becomes the soil with bad seed and without cultivation, the more it has in it of good earthly vigor.
[tr. Durling (2003)]This man in his new life potentially was such
that each good disposition in him
would have come to marvelous conclusion,
but the richer and more vigorous the soil,
when planted ill and left to go to seed,
the wilder and more noxious it becomes.
[tr. Hollander/Hollander (2007)]And one such was this man's new life on earth,
So all good inclinations, all predictions,
Should wonderfully be proved in the life he lives.
Yet land improperly sown, and never tilled,
But blessed with soil of enormous power and strength,
Will turn itself more terribly rank and foul.
[tr. Raffel (2010)]
In a word, enjoy that blessing while you have it: when it is gone, do not lament it; unless, indeed, young men ought to lament the loss of boyhood, and those a little advanced in age the loss of adolescence.
[Denique isto bono utare, dum adsit, cum absit, ne requiras: nisi forte adulescentes pueritiam, paulum aetate progressi adulescentiam debent requirere.]
Marcus Tullius Cicero (106-43 BC) Roman orator, statesman, philosopher
De Senectute [Cato Maior; On Old Age], ch. 10 / sec. 33 (10.33) (44 BC) [tr. Edmonds (1874)]
(Source)
(Source (Latin)). Alternate translations:Finally I tell the thou oughtist use of the bodily strength as whiche is one of the goodys of nature in the meane tyme whan thou hast them. But whan the goodys of bodily strength ben no more in thee thenne thou shuldist not require it nor aske it save that thou maist saye paraventure that the adolescentys which ben in the third age owghten to desyre & aske after the age of pueryce which is seconde age & by that he is the ferthir from deth. Therfor I tell the Scipion that when men ben somwhat entrid & come within adolescence which is an age fructuouse and profitable they to require it and to aske it. And not puerice called Childhode whiche is withoute availe and profite.
[tr. Worcester/Worcester/Scrope (1481), Part 3]In fine, use and take well in worth this gift of bodily strength while thou hast it, and when it is gone do not desire nor seek to have it again, unless peradventure you will say that all young men ought to wish themselves in their infancy and swathing-bands again, or when they be somewhat further stricken in years and in the maturity or best time of their age, to wish themselves again in their adolescency.
[tr. Newton (1569)]To conclude, use that strength which you have while you have it; but when it is gone, require it not, unlesse you thinke it a seemly thing of young men, to require their child-hood againe, and ancient men their youth.
[tr. Austin (1648)]The force which Nature gives with care retain,
But when decay'd, 'tis folly to complain;
In age to wish for youth is full as vain,
As for a youth to turn a child again.
[tr. Denham (1669)]The Faculties of our Bodies are to be made use of, while we possess them, but not to be lamented, when they have left us; unless you would think it reasonable that Boys should be desirous to become Children, and that those, who are become Men, should be wishing to grow Boys again.
[tr. Hemming (1716)]In short, make use of any Good while you have it, and when it's gone look not for it, unless you think young Men would do right to require Childhood again, or Men in Years their Youth.
[tr. J. D. (1744)]In short, while you have Strength, use it; when it leaves you, no more repine for the want of it, than you did when Lads, that your Childhood was past; or at the Years of Manhood, that you were no longer Boys.
[tr. Logan (1750)]In a word, my friends, make a good use of your youthful vigour so long as it remains; but never let it cost you a sign when age shall have withdrawn it from you; as reasonably indeed might youth regret the loss of infancy, or manhood the extinction of youth.
[tr. Melmoth (1773)]In a word, make use of that good thing while it is present; when it is absent do not regret it; unless, perhaps, young men ought to seek to be boys again; those who have made a little advance in years, to be young men again.
[Cornish Bros. ed. (1847)]In fine, I would have you use strength of body while you have it: when it fails, I would not have you complain of its loss, unless you think it fitting for young men to regret their boyhood, or for those who have passed on a little farther in life to want their youth back again.
[tr. Peabody (1884)]In fine, enjoy that blessing when you have it; when it is gone, don't wish it back -- unless we are to think that young men should wish their childhood back, and those somewhat older their youth!
[tr. Shuckburgh (1895)]Use then the gifts you have:
When gone, regret them not: unless as men
You are to ask for boyhood to return,
When older ask for you: there still must be
A certain lapse of years.
[tr. Allison (1916)]In short, enjoy the blessing of strength while you have it and do not bewail it when it is gone, unless, forsooth, you believe that youth must lament the loss of infancy, or early manhood the passing of youth.
[tr. Falconer (1923)]To sum it up: use the advantages you have while you have them; when they are gone, don’t sit around wishing you could get them back. Or do you think, perhaps, that young men ought to mourn their lost boyhood, and those a bit older their younger days?
[tr. Copley (1967)]Use whatever gifts you have while you have them, and don’t mope after them when they are gone -- unless of course you think that young men should regret their childhood and that those who are getting on should regret their youth.
[tr. Cobbold (2012)]So to put it in a nutshell
Use your own strength and use it well
As long as it lasts and when it is spent
Just forget it unless you should
Think that boyhood regrets childhood
Or that manhood may its decline lament.
[tr. Bozzi (2015)]In short, enjoy the blessing of bodily strength while you have it, but don't mourn when it passes away, any more than a young man should lament the end of boyhood, or a mature man the passing of youth.
[tr. Freeman (2016)]
There is nothing more common than to hear of men losing their energy on being raised to a higher position, to which they do not feel themselves equal.
[Nichts gewöhnlicher ist als Beispiele von Männern, die ihre Thätigkeit verlieren, sobald sie zu höheren Stellen gelangen, denen ihre Einsichten nicht mehr gewachsen sind.]
Karl von Clausewitz (1780-1831) Prussian soldier, historian, military theorist
On War [Vom Kriege], Book 1, ch. 3 “On Military Genius [Der Kriegerishe Genius],” (1.3) (1832) [tr. Graham (1873)]
(Source)
(Source (German)). Alternate translations:There is nothing more common than to hear of men losing their energy on being raised to a higher position, to which their abilities are no longer equal.
[tr. Jolles (1943)]No case is more common than that of the officer whose energy declines as he rises in rank and fills positions that are beyond his abilities.
[tr. Howard & Paret (1976)]
The way to avoid evil is not by maiming our passions, but by compelling them to yield their vigor to our moral nature. Thus they become, as in the ancient fable, the harnessed steeds which bear the chariot of the sun.
A good solution applied with vigor now is better than a perfect solution applied ten minutes later.
George S. Patton (1885-1945) American soldier
(Attributed)
In the last analysis a healthy state can exist only when the men and women who make it up lead clean, vigorous, healthy lives; when the children are so trained that they shall endeavor, not to shirk difficulties, but to overcome them; not to seek ease, but to know how to wrest triumph from toil and risk.
Theodore Roosevelt (1858–1919) American politician, statesman, conservationist, writer, US President (1901–1909)
Speech (1899-04-10), “The Strenuous Life,” Hamilton Club, Chicago
(Source)
Dear sire, and offspring worthy of your fire!
We bards are dupes to what ourselves admire.
Would I be brief — I grow confused and coarse;
Who aims at smoothness, fails in fire and force;
In him who soars aloft, bombast is found;
Who fears to face the tempest, crawls aground.
Who courts variety and fain would ring
A thousand changes on the self-same string,
Will paint, as ’twere in fancy’s wildest mood
Boars in the wave and dolphins in the wood.
Thus even error, shun’d without address,
Breeds error, diff’rent in its kind, not less.[Maxima pars vatum, pater et iuvenes patre digni,
decipimur specie recti: brevis esse laboro,
obscurus fio; sectantem levia nervi
deficiunt animique; professus grandia turget;
serpit humi tutus nimium timidusque procellae:
qui variare cupit rem prodigialiter unam,
delphinum silvis adpingit, fluctibus aprum:
in vitium ducit culpae fuga, si caret arte.]Horace (65–8 BC) Roman poet, satirist, soldier, politician [Quintus Horatius Flaccus]
Epistles [Epistularum, Letters], Book 2, ep. 3 “Art of Poetry [Ars Poetica; To the Pisos],” l. 24ff (2.3.24-31) (19 BC) [tr. Howes (1845)]
(Source)
(Source (Latin)). Other translations:The more deale of us Poets, both the olde, and younge most parte,
Are ofte begylde by shewe of good, affectinge to muche arte.
I laboure to be verye breife, it makes me verye harde.
I followe flowinge easynes, my style is clearely marde
For lacke of pith and saverye sence, Write loftie, thou shalte swell:
He creepes by the grounde to lowe, afrayde with stormie vayne to mell.
He that in varyinge one pointe muche would bringe forth monstruouse store,
Would make the dolphin dwell in wooddes and in the flud the bore.
The shunning of a faulte is such that now and then it will
Procure a greater faulte, if it be not eschewde by skill.
[tr. Drant (1567)]The greater part, that boast the Muses fire
Father, and sons right worthy of your Sire,
Are with the likenesse of the truth beguil'd:
My selfe for shortnesse labour, and am stil'd
Obscure. Another striving smooth to runne,
Wants strength, and sinewes, as his spirits were done;
His Muse professing height, and greatnesse, swells;
Downe close by shore, this other creeping steales,
Being over-safe, and fearing of the flaw:
So he that varying still affects to draw
One thing prodigiously, paints in the woods
A Dolphin and a Boare amidst the floods:
The shunning vice, to greater vice doth lead,
If in th'escape an artlesse path we tread.
[tr. Jonson (1640), l. 33ff]Most Poets fall into the grossest faults,
Deluded by a seeming Excellence:
By striving to be short, they grow Obscure,
And when they would write smoothly they want strength,
Their Spirits sink; while others that affect,
A lofty Stile, swell to a Tympany;
Some timerous wretches start at every blast,
And fearing Tempests, dare not leave the Shore.
Others in love with wild variety,
Draw Boars in Waves, and Dolphins in a Wood;
Thus fear of Erring, joyn'd with want of Skill,
Is a most certain way of Erring still.
[tr. Roscommon (1680)]But oft, our greatest errors take their rise
From our best views. I strive to be concise;
I prove obscure. My strength, my fire decays,
When in pursuit of elegance and ease.
Aiming at greatness, some to fustian soar;
Some in cold safety creep along the shore,
Too much afraid of storms; while he, who tries
With ever-varying wonders to surprise,
In the broad forest bids his dolphins play,
And paints his boars disporting in the sea.
Thus, injudicious, while one fault we shun,
Into its opposite extreme we run.
[tr. Francis (1747)]Lov'd sire! lov'd sons, well worthy such a sire!
Most bards are dupes to beauties they admire.
Proud to be brief, for brevity must please,
I grow obscure; the follower of ease
Wants nerve and soul; the lover of sublime
Swells to bombast; while he who dreads that crime,
Too fearful of the whirlwind rising round,
A wretched reptile, creeps along the ground.
The bard, ambitious fancies who displays,
And tortures one poor thought a thousand ways,
Heaps prodigies on prodigies; in woods
Pictures the dolphin, and the boar in floods!
Thus ev'n the fear of faults to faults betrays,
Unless a master-hand conduct the lays.
[tr. Coleman (1783)]The great majority of us poets, father, and youths worthy such a father, are misled by the appearance of right. I labor to be concise, I become obscure: nerves and spirit fail him, that aims at the easy: one, that pretends to be sublime, proves bombastical: he who is too cautious and fearful of the storm, crawls along the ground: he who wants to vary his subject in a marvelous manner, paints the dolphin in the woods, the boar in the sea. The avoiding of an error leads to a fault, if it lack skill.
[tr. Smart/Buckley (1853)]Ye worthy trio! we poor sons of song
Oft find 'tis fancied right that leads us wrong.
I prove obscure in trying to be terse;
Attempts at ease emasculate my verse;
Who aims at grandeur into bombast falls;
Who fears to stretch his pinions creeps and crawls;
Who hopes by strange variety to please
Puts dolphins among forests, boars in seas.
Thus zeal to 'scape from error, if unchecked
By sense of art, creates a new defect.
[tr. Conington (1874)]We poets, most of us, by the pretence,
Dear friends, are duped of seeming excellence.
We grow obscure in striving to be terse;
Aiming at ease, we enervate our verse;
For grandeur soaring, into bombast fall,
And, dreading that, like merest reptiles crawl;
Whilst he, who seeks his readers to surprise
With common things shown in uncommon wise,
Will make his dolphins through the forests roam.
His wild boars ride upon the billows' foam.
So unskilled writers, in their haste to shun
One fault, are apt into a worse to run.
[tr. Martin (1881)]The greater part of us poets, O ye Father and Sons worthy of your parent, deceive ourselves under our illusion of what is right. I strive to write briefly, and so write obscurely. Compositions of a smooth nature argue a writer's deficiency both in force and spirit. An attempt at great subjects swells into bombast. A too cautious writer, and dreader of opposition, confines himself to common things. One who desires to amplify a single theme in an extravagant way, puts a dophin innto a wood, and a wild boar into the sea. The avoidance of one error, if unguarded by art, leads to another.
[tr. Elgood (1893)]Most of us poets are misled by insistence upon our idea of what is right. I try to be brief and I become obscure; aiming at smoothness, we lose in vigor and spirit; attempting the sublime, we become turgid. Timid of the storm, we crawl along the ground. Thus if one lacks art, the over careful avoidance of one fault leads to another.
[tr. Dana/Dana (1911)]Most of us poets, O father and ye sons worthy of the father, deceive ourselves by the semblance of truth. Striving to be brief, I become obscure. Aiming at smoothness, I fail in force and fire. One promising grandeur, is bombastic; another, overcautious and fearful of the gale, creeps along the ground. The man who tries to vary a single subject in monstrous fashion, is like a painter adding a dolphin to the woods, a boar to the waves. Shunning a fault may lead to error, if there be lack of art.
[tr. Fairclough (Loeb) (1926)]Most of us poets -- O father, and sons worthy of your father, -- are misled by our idea of what is correct. I try to be terse, and end by being obscure; another strives after smoothness, to the sacrifice of vigour and spirit; a third aims at grandeur, and drops into bombast; a fourth, through an excess of caution and fear of squalls, goes creeping along the ground. He who is bent on lending variety to a theme that is by nature uniform, so as to produce an unnatural effect, is like a man who paints a dolphin in a forest or a wild boar in the waves. If artistic feeling is not there, mere avoidance of a fault leads to some worse defect.
[tr. Blakeney; ed. Kramer, Jr. (1936)]O father, and sons who deserve a father like yours,
We poets are too often tricked into trying to achieve
A particular kind of perfection: I studiously try
To be brief, and become obscure; I try to be smooth,
And my vigor and force disappear; another assures us
Of something big which turns out to be merely pompous.
Another one crawls on the ground because he's too safe,
Too much afraid of the storm. The poet who strives
To vary his single subject in wonderful ways
Paints dolphins in woods and foaming boars on the waves.
Avoiding mistakes, if awkwardly done, leads to an error.
[tr. Palmer Bovie (1959)]Most poets, father and young men deserving such a father,
go wrong in trying to be right: I struggle for concision,
I wind up being obscure; others try for smoothness
and lose strength, or for sublimit, and get gas.
One poet, too cautious, fears storms and craws along,
the other craves bizarre variety in a single subject
and paints a dolphin in a forest, a boar among the waves.
Fear of criticism leads to faults if we lack art.
[tr. Fuchs (1977)]Most poets, leaders and led,
Chase a will-o’-the-wisp of abstract Right.
Thus:
I aim
at concision,
I hit
on darkness.
I aim to be smooth, my lines go slack.
The eloquent idealist rants and raves,
The timid, the gutless, crawl like beetles,
Seekers after novelty hang dolphins in trees,
Float a boar in the sea:
O rare effects!
O marvelous.
Ugh.
[tr. Raffel (1983 ed.)]Father and worthy sons, we poets often
Know what we're aiming at, and often we miss.
I try my best to be terse, and I'm obscure;
I try for mellifluous smoothness, smooth as can be,
And the line comes out as spineless as a worm;
One poet, aiming for grandeur, booms and blusters;
Another one, scared, creeps his way under the storm;
And another, desiring to vary his single theme
In wonderful ways, produces not wonders but monsters --
Dolphins up in the trees, pigs in the ocean.
If you don't know what you're doing you can go wrong
Just out of trying to do your best to do right.
[tr. Ferry (2001)]Poets in the main (I’m speaking to a father and his excellent sons)
are baffled by the outer form of what’s right. I strive to be brief,
and become obscure; I try for smoothness, and instantly lose
muscle and spirit; to aim at grandeur invites inflation;
excessive caution or fear of the wind induces groveling.
The man who brings in marvels to vary a simple theme
is painting a dolphin among the trees, a boar in the billows.
Avoiding a fault will lead to error if art is missing.
[tr. Rudd (2005 ed.)]Most poets (dear sir, and you sons worthy of your sire),
Are beguiled by accepted form. I try to be brief
And become obscure: aiming at smoothness I fail
In strength and spirit: claiming grandeur he’s turgid:
Too cautious, fearing the blast, he crawls on the ground:
But the man who wants to distort something unnaturally
Paints a dolphin among the trees, a boar in the waves.
Avoiding faults leads to error, if art is lacking.
[tr. Kline (2015)]
Democracy does not give the people the most skillful government, but it produces what the ablest governments are frequently unable to create: namely, an all-pervading and restless activity, a superabundant force, and an energy which is inseparable from it and which may, however unfavorable circumstances may be, produce wonders.
Alexis de Tocqueville (1805-1859) French writer, diplomat, politician
Democracy in America, 1.14 (1835) [tr. Reeve and Bowen (1862)]
A rolling stone gathers no moss.
Publilius Syrus (d. 42 BC) Assyrian slave, writer, philosopher [less correctly Publius Syrus]
Sententiae [Moral Sayings], # 524
Hampden, on the other hand, was for vigorous and decisive measures. When he drew the sword, as Clarendon has well aid, he threw away the scabbard. He had shown that he knew better than any public man of his time how to value and how to practice moderation. He knew that the essence of war is violence, and that moderation in war is imbecility.
Thomas Babington Macaulay (1800-1859) English writer and politician
“John Hampden,” Essays Contributed to the Edinburgh Review, Vol. 1 (1843)
(Source)
Review of Lord Nugent, Some Memorials of John Hampden, His Party, and His Times (1831).
