I make mistakes — I’ll be the second to admit it.
Jean Kerr (1922-2003) American author and playwright [b. Bridget Jean Collins]
Essay (1958-07), “Hand Me My Dark Glasses,” McCall’s Magazine
(Source)
Collected in her The Snake Has All the Lines (1960) as "I Was a Sand Crab."
The original in McCall's has what I suspect is an incorrect "correction" from an editor, reading "I'll be the first to admit it," which is not particularly funny. The "second" text appears in the book.
Quotations about:
mistake
Note not all quotations have been tagged, so Search may find additional quotes on this topic.
Blessed are the forgetful: for they “get the better” even of their blunders.
[Selig sind die Vergesslichen: denn sie werden auch mit ihren Dummheiten “fertig”.]
Friedrich Nietzsche (1844-1900) German philosopher and poet
Jenseits von Gut und Böse [Beyond Good and Evil], Aphorism 217 (1886) [tr. Zimmern (1906)]
(Source)
Quoted by Mary Svevo (Kirsten Dunst) in Eternal Sunshine of the Spotless Mind (2004). The character says she found it in Bartlett's.
(Source (German)). Other translations:Blessed are the forgetful: for they get over their stupidities.
[tr. Kaufmann (1966)]Blessed are the forgetful: for they shall "have done" with their stupidities too.
[tr. Hollingdale (1973, 1990)]Blessed are the forgetful, for they are "done" with their stupidities as well.
[tr. Johnston]
Though in reviewing the incidents of my Administration I am unconscious of intentional error, I am nevertheless too sensible of my defects not to think it probable that I may have committed many errors. Whatever they may be, I fervently beseech the Almighty to avert or mitigate the evils to which they may tend. I shall also carry with me the hope that my country will never cease to view them with indulgence, and that, after forty-five years of my life dedicated to its service with an upright zeal, the faults of incompetent abilities will be consigned to oblivion, as myself must soon be to the mansions of rest.
George Washington (1732–1799) American military leader, Founding Father, US President (1789–1797)
Letter (1796-09-17), “Farewell Address” [with J. Madison, A. Hamilton]
(Source)
Published in the American Daily Advertiser, Philadelphia (1796-09-19).
A Fault, once denied, is twice committed.
Thomas Fuller (1654-1734) English physician, preacher, aphorist, writer
Gnomologia: Adages and Proverbs (compiler), # 93 (1732)
(Source)
I am glad that I paid so little attention to good advice; had I abided by it, I might have been saved from some of my most valuable mistakes.
Gene Fowler (1890-1960) American journalist, author, and dramatist. [b. Eugene Devlan]
Skyline: A Reporter’s Reminiscence of the ’20s, ch. 8 (1961)
(Source)
Fowler used this exact phrase in his autobiographical book, published posthumously, and I can find no other published reference to the phrase prior to 1960 (a review of the upcoming book).
The phrase is also attributed in many places to the American poet Edna St. Vincent Millay (1892-1950), but with no citation and no searchable use of the phrase during her lifetime.
The great liability of the engineer compared to men of other professions is that his works are out in the open where all can see them. His acts, step by step, are in hard substance. He cannot bury his mistakes in the grave like the doctors. He cannot argue them into thin air or blame the judge like the lawyers. He cannot, like the architects, cover his failures with trees and vines. He cannot, like the politicians, screen his shortcomings by blaming his opponents and hope that the people will forget. The engineer simply cannot deny that he did it. If his works do not work, he is damned.
Herbert Hoover (1874-1964) American engineer, bureaucrat, US President (1929-33)
Memoirs: Years of Adventure, 1874–1920, ch. 11 “The Profession of Engineering” (1952)
(Source)
While treating this as the definitive version of this litany, a number of variations can be found in Hoover's writing and speaking prior to this. The earliest is same text is found in his essay (1916), "Engineering as a Profession" (reprinted as a 1954 article in Engineer's Week). Some of the other variants follow.
Speech (1950-02-09), "Engineering Society of the Moles," New York City:The engineer has certain disadvantages compared to the other professions. His works are out in the open where all men can see them. He cannot deny he did it. The doctors’ mistakes are buried in the grave. The voters forget when the politician changes the alphabetical names of his failing projects. The trees and ivy may cover the architects’ failures. The lawyers can blame the Judge or the Jury. Unlike the clergyman, the engineer cannot blame his failures on the devil.
Moreover, if his works do not work, he is damned.
Speech (1951-11-07), "Engineers," Columbia University Engineering Campaign Center, New York City:The engineer’s work is out in the open where all men can see it. If he makes a mistake, he cannot, like the doctor, bury it in a grave. He cannot, like the architect, obscure it by trees and ivy. He cannot, like the lawyer, blame it on the judge or jury. He cannot, like the politician, claim his constituents demanded it. Nor can he, like the public official, change the name of it and hope the voters will forget. Unlike the clergyman, he cannot blame it on the devil. Worse still, if his works do not work, he is damned.
For more discussion of possible precursors of this quotation, see: Quote Origin: The Architect Can Only Advise His Client to Plant Vines – Quote Investigator®. (To which end, see also Frank Lloyd Wright (1930).)
If you hit a wrong note, it’s the next note that you play that determines if it’s good or bad.
Miles Davis (1926-1991) American jazz trumpeter, bandleader, composer. [Miles Dewey Davis III]
(Attributed)
(Source)
Related by jazz pianist Herbie Hancock, whom Davis startled when, after Hancock struck the wrong chord, Davis improvised and riffed off the chord for the remainder of the set. Attributed in W. Richard Patterson, Thinking Straight (2023)
Now listen while I show you, how the rest
Who call you madman, are themselves possessed.
Just as in woods, when travellers step aside
From the true path for want of some good guide,
This to the right, that to the left hand strays,
And all are wrong, but wrong in different ways,
So, though you’re mad, yet he who banters you
Is not more wise, but wears his pigtail too.[Nunc accipe, quare
desipiant omnes aeque ac tu, qui tibi nomen
insano posuere. Velut silvis, ubi passim
palantis error certo de tramite pellit,
ille sinistrorsum, hic dextrorsum abit, unus utrique
error, sed variis inludit partibus: hoc te
crede modo insanum, nihilo ut sapientior ille
qui te deridet caudam trahat.]Horace (65–8 BC) Roman poet, satirist, soldier, politician [Quintus Horatius Flaccus]
Satires [Saturae, Sermones], Book 2, # 3 “Si raro scribes,” l. 46ff (2.3.46-53) (30 BC) [tr. Conington (1874)]
(Source)
Horace may be quoting or paraphrasing Stertinus here.
The odd "tail" metaphor was a proverbial expression for unknowingly being a fool. Apparently Roman children would tie sheep or other animal tails to the backs of innocent passers-by, then laugh at them.
(Source (Latin)). Alternate translations:Now leane thyne eares, and listen well, perceave howe all be mad,
Yea those who earste to make the woorse, such mockeries have had.
Admit there be through darkesum wood a speedie footepathe way,
On ryghte syde sum, on lefte syde sum, and all do go a stray
Through wilsumnes of wildernes: the error is all one,
Though through miswandringe diverslye, they diverslye have gone.
Thou maist be mad, frend Damasipp, thou maiste be muche unwyse,
Thy mockers staringe mad also, though in an other guyse.
[tr. Drant (1567)]Nay give me leave, and I'le demonstrate how
He who calls thee fool's as much fool as thou.
Like Trav'lers passing through a Wood, when they
Range up and down missing their ready way,
This to the right that to the left hand strayes,
One error fools them both, though several wayes.
And tho thou think'st thou'rt mad, yet even he
Is not a jot less mad that laughs at thee,
Both to Fool-coats have like propriety.
[tr. "A. B."; ed. Brome (1666)]Some call Thee mad, but those that call Thee so,
Observe, I'll prove them quite as mad as You:
As Men that lose their ways in Woods, divide;
Some go on this, and some on t'other side,
The Error is the same, all miss the Road,
Altho in different Quarters of the Wood.
Thus as they call thee, think that thou art mad;
But those that call thee so are quite as bad.
[tr. Creech (1684)]And they who call you fool, with equal claim
May plead an ample title to the name.
When in a wood we leave the certain way
One error fools us, though we various stray:
Some to the left, some turn to t'other side:
So he, who dares thy madness to deride,
Though you may frankly own yourself a fool,
Behind him trails his mark of ridicule.
[tr. Francis (1747)]Hear now why those who proudly call you mad,
In reason's view are every whit as bad.
As, when bewilder'd in a wood by night
This trav'ller takes the left and that the right,
Each strays, though in a different path he strays,
Mock'd by the self-same error various ways, --
So is it here; and he that laughs at you
May wear the cap; for he is crack-brain'd too.
[tr. Howes (1845)]Now learn, why all those, who have fixed the name of madman upon you, are as senseless as yourself. As in the woods, where a mistake makes people wander about from the proper path; one goes out of the way to the right, another to the left; there is the same blunder on both sides, only the illusion is in different directions: in this manner imagine yourself mad; so that he, who derides you, hangs his tail not one jot wiser than yourself.
[tr. Smart/Buckley (1853)]Now listen to the reason why all those who've called you "madman" are as mad as you. As in the woods, when some mistake drives from the beaten track men vaguely wandering, one goes off to the right, another to the left, -- they make the same mistake, but in quite opposite directions; -- so think that you're mad, and that the man who mocks you is no saner than yourself, and a fit laughingstock for boys.
[tr. Millington (1870)]Now let me show you why all who have dubbed you "madman" are quite as crazy as you. When men miss the path in a forest and go astray in every direction, all miss it equally, though one is led wrong on the right side of the road and one on the left. So for yourself, believe that if you are mad it is only in such a sense that the man who is laughing at you drags his tail also.
[tr. Wickham (1903)]Now learn why all, who have given you the name of madman, are quite as crazy as yourself. Just as in a forest, where some error drives men to wander to and fro from the proper path, and this one goes off to the left and that one to the right: both are under the same error, but are led astray in different ways: so believe yourself to be insane only so far that he who laughs at you drags a tail behind him, no whit the wiser man.
[tr. Fairclough (Loeb) (1926)]Now learn
Why it is that all who have fastened the name on you
Are quite as crazy as you. Just as men in a forest,
Whom confusion forces to wander away from the right path,
Will veer off, one to the left, the other to the right,
Misled by the same mistake but misled in different
Directions, so you may consider yourself deluded
To the exact degree of the man who makes fun of you,
Who is dragging a tail behind himself all unawares.
[tr. Palmer Bovie (1959)]Now, hear why you're no madder
than all those others, who bestowed on you the name
‘insane.’ Think of travelers in a forest who get lost
and leave the proper path: one might wander over
to the left, the other to the right. They're deceived
in different ways, but it's the same mistake. Similarly,
you think you're insane, but who is any wiser
among those tail-draggers who make fun of you?
[tr. Fuchs (1977)]Listen: here is why everyone
Who calls you mad is just as senseless himself.
It's like a forest, where people wander this way and that,
Hunting the path and never finding it, not right, or left,
Or center, all confused, all equally lost, but all
Lost in different directions. Believe yourself mad,
If you like, but as sane as the man who laughs at you
And never sees the tail tied behind him.
[tr. Raffel (1983)]Now hear me: why all those who have
called you crazy are brainless like yourself.
As in the woods folk wander off
the true path in error and scatter
here and there, this one to the left,
this one to the right, both of them in
different directions; in the same way
you may consider yourself insane.
Yet you know full well that he who
derides you is no wiser than you
but drags a tail behind him.
[tr. Alexander (1999)]Now, here’s how
those who call you mad are mad. In a wood,
error diverts men from the strict path, some
left, some right. They’re all wrong, each in his
way. Who says he’s right is of course wrong —
is he the one you’ll let pronounce you wrong?
[tr. Matthews (2002)]Now this is the reason
why those who call you mad are every bit as crazy
as you are: You know how people lose their way in the woods --
one goes wandering off to the left, another to the right;
both are equally wrong, though each has strayed in a different
direction. So you may rest assured that if you're to be counted
mad the fellow who laughs at you is no saner himself.
He too has straw in his hair.
[tr. Rudd (2005 ed.)]Now learn why all those who call
You insane, are every bit as foolish themselves.
It’s like a wood, where error leads men to wander
Here and there, from the true path, one off to the left,
Another off to the right, the same error both times,
But leading them in different directions: so know
You’re only as mad as the man no wiser than you
Who laughs at you, but still has a tail pinned behind.
[tr. Kline (2015)]
You’ll find that the only thing you can do easily is be wrong, and that’s hardly worth the effort.
Norton Juster (1929-2021) American academic, architect, writer
The Phantom Tollbooth, ch. 16 “A Very Dirty Bird” [The Mathemagician] (1961)
(Source)
To stumble twice against the same stone is a proverbial disgrace.
[Culpa enim illa, bis ad eundem, vulgari reprehensa proverbio est.]
Marcus Tullius Cicero (106-43 BC) Roman orator, statesman, philosopher
Epistulae ad Familiares [Letters to Friends], Book 10, Letter 20 (10.20), to Lucius Plancus (43 BC) [ed. Hoyt (1896)]
(Source)
The full saying is "δὶς πρὸς τὸν αὐτὸν αἰσχρὸν εἰσκρούειν λίθον" or "Bis ad eundem offendere lapidem turpe est" ("It is shameful to stumble twice over the same stone.").This letter is not included in many translations.
(Source (Latin)). Alternate translation:The verie vulgar reprehends that man, who stumbles twice upon one and the same stone.
[tr. Webbe (1620)]"Twice on the same stone," you know, is a fault reproved by a common proverb.
[tr. Shuckburgh (1899), # 880]The fatuity of "twice against the same stone" is held up to reproach in a familiar proverb.
[tr. Williams (Loeb) (1928)]
Madame de Tencin said that intelligent people often erred in their conduct because they could never believe that the world in general is as stupid as it is.
[Mme de Tencin disait que les gens d’esprit faisaient beaucoup de fautes en conduite, parce qu’ils ne croyaient jamais le monde assez bête, aussi bête qu’il l’est.]
Nicolas Chamfort (1741-1794) French writer, epigrammist (b. Nicolas-Sébastien Roch)
Products of Perfected Civilization [Produits de la Civilisation Perfectionnée], Part 2 “Characters and Anecdotes [Caractères et Anecdotes],” ¶ 715 (1795) [tr. Merwin (1969)]
(Source)
(Source (French)). Alternate translations:Mme de Tencin said that people with spirit make many mistakes in their actions because they never believe that society is brutish enough, as brutish as it is.
[tr. Siniscalchi (1994)]Madame de Tencin said that many very clever people made social blunders because they could never believe that society was quite as stupid as it really was.
[tr. Parmée (2003), ¶382]The great mistake made by intelligent people is to refuse to believe that the world is as stupid as it is.
[Forbes]
I notiss that when a man runs hiz hed aginst a post, he cusses the post fust, all kreashun next, and sumthing else last, and never thinks ov cussing himself.
[I notice that when a man runs his head against a post, he cusses the post first, all creation next, and something else last, and never thinks of cussing himself.]
Josh Billings (1818-1885) American humorist, aphorist [pseud. of Henry Wheeler Shaw]
Josh Billings’ Trump Kards, ch. 7 “When I waz a Boy” (1874)
(Source)
He returned to this theme a few years later in Josh Billings' Farmer's Allminax, 1876-03 (1876 ed.):I notiss one thing, when a man stubs his toe he cussess all kreashun fust, then the toe, but never himself.
[I notice one thing, when a man stubs his toe he cusses all creation first, then the toe, but never himself.]
For the robust, an error is information; for the fragile, an error is an error.
Nassim Nicholas Taleb (b. 1960) Lebanese-American essayist, statistician, risk analyst, aphorist
The Bed of Procrustes: Philosophical and Practical Aphorisms, “Robustness and Antifragility” (2010)
(Source)
I hope you’ll make mistakes. If you make mistakes, it means you’re out there doing something. And the mistakes in themselves can be very useful. I once misspelled Caroline, in a letter, transposing the As and the O, and I thought, “Coraline looks almost like a real name…”
Neil Gaiman (b. 1960) British author, screenwriter, fabulist
Speech (2012-05-17), Commencement, University of the Arts, Philadelphia [09:17]
(Source)
Mistakes are, after all, the foundation of truth, and if a man does not know what a thing is, it is at least an increase in knowledge if he knows what it is not.
Every great mistake has a halfway moment, a split second when it can be recalled and perhaps remedied.
Pearl S. Buck (1892-1973) American writer
What America Means to Me, ch. 10 (1942)
(Source)
Critiquing lack of American policy in Asia, not just to defeat Japan, but to bring freedom to the people of China and India.
And remember, we all stumble, every one of us. That’s why it’s a comfort to go hand in hand.
Emily Kimbrough (1899-1989) American author and journalist
The Innocents from Indiana, ch. 17 (1950)
(Source)
At the very end of the book, a note from the protagonist's mother, about the protagonist having failed the entrance examination to Bryn Mawr.
ANNA: Well, people change, and forget to tell each other. Too bad — causes so many mistakes.
Lillian Hellman (1905-1984) American playwright, screenwriter
Toys in the Attic, Act 3 (1959)
(Source)
Usually one’s cooking is better than one thinks it is. And if the food is truly vile, as my ersatz eggs Florentine surely were, then the cook must simply grit her teeth and bear it with a smile — and learn from her mistakes.
Julia Child (1912-2004) American chef and writer
My Life In France, “Le Cordon Bleu,” sec. 2 (2006)
(Source)
I don’t care how smart you are, if you say something you are liable to say something foolish, and the smarter you are, and the longer you talk, the more foolish things you will say.
Will Rogers (1879-1935) American humorist
Column (1924-08-24), “Weekly Article: About Peggy, the Prince, Candidates, and Coolidge” [No. 89]
(Source)
Do not persist in folly. Some make a duty of failure and having started down the wrong road, think it a badge of character to continue.
[No proseguir la necedad. Hacen algunos empeño del desacierto, y porque comenzaron a errar, les parece que es constancia el proseguir.]
Baltasar Gracián y Morales (1601-1658) Spanish Jesuit priest, writer, philosopher
The Art of Worldly Wisdom [Oráculo Manual y Arte de Prudencia], § 261 (1647) [tr. Fischer (1937)]
(Source)
(Source (Spanish)). Alternate translations:Not to continue a Foppery. Some make an engagement of their mistakes: when they have once begun to fail, they think they are concerned in honour to continue.
[Flesher ed. (1685)]Do not follow up a Folly. Many make an obligation out of a blunder, and because they have entered the wrong path thinks it proves their strength of character to go in it.
[tr. Jacobs (1892)]Don’t persist in folly. Some people commit themselves to their errors. They act mistakenly and consider it constancy to go on that way.
[tr. Maurer (1992)]
The greatest of sages can commit one mistake, but not two; he may fall into error, but he doesn’t lie down and make his home there.
[En un descuido puede caer el mayor sabio, pero en dos no; y de paso, que no de asiento.]
Baltasar Gracián y Morales (1601-1658) Spanish Jesuit priest, writer, philosopher
The Art of Worldly Wisdom [Oráculo Manual y Arte de Prudencia], § 214 (1647) [tr. Maurer (1992)]
(Source)
(Source (Spanish)). Alternate translations:The wisest man may very well fail once, but not twice; transiently, and by inadvertency, but not deliberately.
[Flesher ed. (1685)]A wise man may make one slip but never two, and that only in running, not while standing still.
[tr. Jacobs (1892)]The wisest of men may slip once, but not twice, and that only by chance, and not by design.
[tr. Fischer (1937)]
There’s a reason narcissists don’t learn from mistakes and that’s because they never get past the first step, which is admitting that they made one. It’s always an assistant’s fault, an adviser’s fault, a lawyer’s fault. Ask them to account for a mistake any other way and they’ll say, “What mistake?”
Robert Hogan (b. 1937) American psychologist
Quoted in Jeffrey Kluger, The Narcissist Next Door, ch. 6 (2014)
(Source)
The interest of the people as a whole [lies] in being able to join organizations, advocate causes, and make political “mistakes” without later being subjected to governmental penalties for having dared to think for themselves.
Hugo Black (1886-1971) American politician and jurist, US Supreme Court Justice (1937-71)
Barenblatt v. United States, 360 U.S. 109, 144 (1959) [dissent]
(Source)
Experience is the name every one gives to their mistakes.
Oscar Wilde (1854-1900) Irish poet, wit, dramatist
Lady Windermere’s Fan, Act 3 [Mr. Dumby] (1892)
(Source)
Also in Wilde's The Picture of Dorian Gray, ch. 4 (1890):Experience was of no ethical value. It was merely the name men gave to their mistakes.
It is only an error in judgment to make a mistake, but it argues an infirmity of character to stick to it.
Adela Rogers St. Johns (1894-1988) American journalist, novelist, screenwriter.
Some Are Born Great (1974)
(Source)
I hope that in this year to come, you make mistakes.
Because if you are making mistakes, then you are making new things, trying new things, learning, living, pushing yourself, changing yourself, changing your world. You’re doing things you’ve never done before, and more importantly, you’re Doing Something.
So that’s my wish for you, and all of us, and my wish for myself. Make New Mistakes. Make glorious, amazing mistakes. Make mistakes nobody’s ever made before. Don’t freeze, don’t stop, don’t worry that it isn’t good enough, or it isn’t perfect, whatever it is: art, or love, or work or family or life.
Whatever it is you’re scared of doing, Do it.
Make your mistakes, next year and forever.Neil Gaiman (b. 1960) British author, screenwriter, fabulist
Blog entry (2011-12-31), “My New Year Wish”
(Source)
The mistakes I made from weakness do not embarrass me nearly so much as those I made insisting on my strength.
James Richardson (b. 1950) American poet
“Vectors: 56 Aphorisms and Ten-second Essays,” Michigan Quarterly Review, #27 (Spring 1999)
(Source)
It is only an error of judgment to make a mistake, but it argues an infirmity of character to adhere to it when discovered.
Christian Nestell Bovee (1820-1904) American epigrammatist, writer, publisher
Intuitions and Summaries of Thought, Vol. 2 (1862)
(Source)
Our errors are surely not such awfully solemn things. In a world where we are so certain to incur them in spite of all our caution, a certain lightness of heart seems healthier than this excessive nervousness on their behalf.
William James (1842-1910) American psychologist and philosopher
“The Will to Believe,” sec. 7, New World (Jun 1896)
(Source)
Originally a lecture for the Philosophical Clubs of Yale and Brown Universities.
He [Napoleon III] was what I often think is a dangerous thing for a statesman to be — a student of history, and like most of those who study history, he learned from the mistakes of the past how to make new ones.
A. J. P. Taylor (1906-1990) British historian, journalist, broadcaster [Alan John Percivale Taylor]
“Mistaken Lessons from the Past,” The Listener (6 Jun 1963)
(Source)
Every man’s reason is, and must be, his guide; and I may as well expect that every man should be of my size and complexion, as that he should reason just as I do. Every man seeks for truth; but God only knows who has found it. It is, therefore, as unjust to persecute as it is absurd to ridicule people for those several opinions which they cannot help entertaining upon the conviction of their reason.
Lord Chesterfield (1694-1773) English statesman, wit [Philip Dormer Stanhope]
Letter to his son, #126 (21 Sep 1747)
(Source)
Speaking of religious beliefs.
Genius is what you do with the mistakes.
Michael Moriarty (b. 1941) American-Canadian actor, musician
In Amy Wallace, “The Survivor,” New Yorker (26 Jan 2004)
(Source)
Referring to his work with film producer Larry Cohen. Full quote: "It was skin-of-your-teeth filmmaking. Larry tends occasionally not to look ahead. But genius is what you do with the mistakes, and nobody was better with mistakes than Larry Cohen."
What inconceivable madness! For it is not enough to call an opinion “foolishness” when it is utterly devoid of reason.
[O delirationem incredibilem! non enim omnis error stultitia dicenda est.]
Marcus Tullius Cicero (106-43 BC) Roman orator, statesman, philosopher
De Divinatione [On Divination], Book 2, ch. 43 (2.43) / sec. 90 (44 BC) [tr. Falconer (1923)]
(Source)
The pain others give passes away in their later kindness, but that of our own blunders, especially when they hurt our vanity, never passes away.
William Butler Yeats (1865-1939) Irish poet and dramatist
Journal entry #105 (18 Mar 1909)
(Source)
See also "Vacillation."
Back of every mistaken venture and defeat is the laughter of wisdom, if you listen. We go forward by failure. Every blunder behind us is giving a cheer for us and only those who are willing to fail shall taste the dangers and splendors of life. To be a good loser is to learn how to win. The real coward is he who sees no glory in failure.
Which is it? Is man one of God’s blunders? Or is God one of man’s blunders?
[Wie? ist der Mensch nur ein Fehlgriff Gottes? Oder Gott nur ein Fehlgriff des Menschen?]
Friedrich Nietzsche (1844-1900) German philosopher and poet
Twilight of the Idols [Die Götzen-Dämmerung], “Apophthegms and Darts [Sprüche und Pfeile]” #7 (1889)
Alt. trans.:
- "How is it? Is man only a mistake of God? Or God only a mistake of man? --" [tr. Common (1896)]
- "What? Is man just one of God's mistakes? Or is God just one of man's? --" [tr. Large (1998),"Maxims and Barbs"]
- "What? Is man just God's mistake? Or is God just man's mistake?" [tr. Norman (2005), "Arrows and Epigrams"]
- "What? Is man merely a mistake of God's? Or God merely a mistake of man's?" [tr. Hollingdale (1968)]
- "Which is it? Is man only a blunder of God? Or is God only a blunder of man?" [tr. Ludovici (1911), "Maxims and Missiles"]
DEXTER: I’d rather do something and make a mistake, than be frightened into doing nothing. That’s the problem back home. Folks have been conned into thinking they can’t change the world. Have to accept what is. I’ll tell you something, my friends, the world is changing every day. The only question is, who’s doing it?
J. Michael (Joe) Straczynski (b. 1954) American screenwriter, producer, author [a/k/a "JMS"]
Babylon 5, 3×20 “And the Rock Cried Out, No Hiding Place” (14 Oct 1996)
See Straczynski.
His view of war — and he had seen a great deal of it — was that a general made as many blunders as he fought battles, but, by the grace of the gods, the opposing generals’ blunders were sometimes worse.
Aubrey Menen (1912-1989) British writer, novelist, satirist, theatre critic
A Conspiracy of Women (1966)
(Source)
See Tartakower.
A candid admission of a blunder is refreshing and not often heard in human affairs. It is the saint alone who is large-minded enough to think and speak in this way. This is part of his authenticity.
Thomas Dubay (1921-2020) American Catholic priest, author, spiritual director
Authenticity: A Biblical Theology of Discernment, Part 2, ch. 6 (1977)
(Source)
For nothing stands out so conspicuously, or remains so firmly fixed in the memory, as something in which you have blundered.
[Nihil est enim tam insigne, nec tam ad diuturnitatem memoriae stabile, quam id, in quo aliquid offenderis.]
Marcus Tullius Cicero (106-43 BC) Roman orator, statesman, philosopher
De Oratore [On the Orator, On Oratory], Book 1, ch. 28 (1.28) / sec. 129 (55 BC) [tr. Sutton/Rackham (1940)]
(Source)
(Source (Latin)). Alternate translations:For nothing makes so remarkable, so deep an impression upon the memory as a miscarriage.
[tr. Guthrie (1755)]For nothing makes so remarkable, so deep an impression upon the memory as a defect.
[Source (1808)]Nothing, indeed, is so much noticed, or makes an impression of such lasting continuance on the memory, as that in which you give any sort of offense.
[tr. Watson (1860)]For nothing so immediately attracts attention, or clings so tenaciously to the memory, as any defect.
[tr. Calvert (1870)]For nothing, we know, strikes us so forcibly or makes such an indelible impression on the memory as that which somehow offends our taste.
[tr. Moor (1892)]Nothing attracts so much attention, or retains such a hold upon men's memories, as the occasion when you have made a mistake.
[ed. Harbottle (1906)]For nothing is so conspicuous or so indelibly imprinted on the memory as something that annoys you in any way.
[tr. May/Wisse (2001)]
A successful career has been full of great blunders.
Charles Buxton (1823-1871) English brewer, philanthropist, writer, politician
Notes of Thought, #482 (1873)
(Source)
For there is no gardening without humility, an assiduous willingness to learn, and a cheerful readiness to confess you were mistaken. Nature is continually sending even its oldest scholars to the bottom of the class for some egregious blunder. But, by the due exercise of patience and diligence, they may work their way to the top again.
Alfred Austin (1835-1913) English poet, UK Poet Laureate (1896-1913)
The Garden That I Love, “April 30th” (1894)
(Source)
Brooding over blunders is the biggest blunder.
Muhammad Ali (1942-2016) American boxer, activist [b. Cassius Clay]
“What I’ve Learned,” Esquire (Jan 2004)
(Source)
It takes a lot of things to prove you are smart, but only one thing to prove you are ignorant.
Many journalists have fallen for the conspiracy theory of government. I do assure you that they would produce more accurate work if they adhered to the cock-up theory.
Bernard Ingham (b. 1932) British journalist, civil servant, press secretary
Quoted in The Observer (17 Mar 1985)
Often paraphrased, "Cock-up before conspiracy." Cf. Hanlon.
Success don’t konsist in never making blunders, but in never making the same one the seckond time.
[Success doesn’t consist in never making blunders, but in never making the same one the second time.]
Remember, too, that you have the right to make mistakes. Exercise it. Good judgment comes from experience, and often experience comes from bad judgment.
Rita Mae Brown (b. 1944) American author, playwright
Starting from Scratch, Part 4 (1988)
(Source)
Brown popularized the phrase, but it had been expressed before. More information: Good Judgment Depends Mostly on Experience and Experience Usually Comes from Poor Judgment – Quote Investigator.
HAL9000: The 9000 series is the most reliable computer ever made. No 9000 computer has ever made a mistake or distorted information. We are all, by any practical definition of the words, foolproof and incapable of error.
But, on the other hand, Uncle Abner said that the person that had took a bull by the tail once had learnt sixty or seventy times as much as a person that hadn’t, and said a person that started in to carry a cat home by the tail was gitting knowledge that was always going to be useful to him, and warn’t ever going to grow dim or doubtful.
Mark Twain (1835-1910) American writer [pseud. of Samuel Clemens]
Tom Sawyer Abroad, ch. 10 (1894)
(Source)
Frequently misquoted as "A man who carries a cat by the tail learns something he can learn in no other way."
Science, my lad, has been built upon many errors; but they are errors which it was good to fall into, for they led to the truth.
[La science, mon garçon, est faite d’erreurs, mais d’erreurs qu’il est bon de commettre, car elles mènent peu à peu à la vérité.]
Jules Verne (1828-1905) French novelist, poet, playwright
Journey to the Center of the Earth, ch. 31 (1864) [tr. Malleson (1877)]
(Source)
Alt. trans.: "Science, my lad, is made up of mistakes, but they are mistakes which it is useful to make, because they lead little by little to the truth."
That’s not a nuts thing, that’s a “humans hate to admit error even as they stand there, black and smoldering, with the stub of a cigarette in one hand, in the middle of a wide crater containing them and the remains of a sign that once read ‘DANGER: VOLATILE EXPLOSIVES'” thing. It’s pretty universal.
James Nicoll (b. 1961) Canadian reviewer, editor
“Proposal for a new FAQ or two,” rec.arts.sf.written, Usenet (10 Jun 2005)
(Source)
Some people swallow the universe like a pill; they travel on through the world, like smiling images pushed from behind. For God’s sake give me the young man who has brains enough to make a fool of himself!
Stupidity is the same as evil if you judge by the results.
Margaret Atwood (b. 1939) Canadian writer, literary critic, environmental activist
Surfacing, ch. 3 (1972)
(Source)
If you leap into a Well, Providence is not bound to fetch you out.
Thomas Fuller (1654-1734) English physician, preacher, aphorist, writer
Gnomologia: Adages and Proverbs (compiler), # 2795 (1732)
(Source)
If the first button of one’s coat is wrongly buttoned, all the rest will be crooked.
Giordano Bruno (1548-1600) Italian philosopher
(Attributed)
(Source)
Attributed in John Emerich & Edward Dalberg, The Cambridge Modern History (1904).
There is no error so monstrous that it fails to find defenders among the ablest men. Imagine a congress of eminent celebrities, such as More, Bacon, Grotius, Pascal, Cromwell, Bossuet, Montesquieu, Jefferson, Napoleon, Pitt, etc. The result would be an Encyclopedia of Error.
He who imagines he can do without the world, deceives himself much: but he who fancies the world cannot do without him, is under a far greater deception.
[Celui qui croit pouvoir trouver en soi-même de quoi se passer de tout le monde se trompe fort; mais celui qui croit qu’on ne peut se passer de lui se trompe encore davantage.]François VI, duc de La Rochefoucauld (1613-1680) French epigrammatist, memoirist, noble
Réflexions ou sentences et maximes morales [Reflections; or Sentences and Moral Maxims], ¶201 (1665-1678) [ed. Carvill (1835), ¶81]
(Source)
Appeared in the 1st ed. (1665). In manuscript, the first part "Celui qui croit pouvoir trouver en soi-même de quoi se passer de tout le monde" reads "Celui qui croit pouvoir se passer de tout le monde" ("He who believes that he can find in himself enough to do without everyone" reads "He who believes he can do without everyone.").
(Source (French)). Alternate translations:He that fansies such a sufficiency in himself, that he can live without all the World, is mightily mistaken; but he that imagines himself so necessary, that other people cannot live without him, is a great deal more mistaken.
[tr. Stanhope (1694), ¶202]He who imagines he can do without the world deceives himself much; but he who fancies the world cannot do without him is still more mistaken.
[pub. Donaldson (1783), ¶93; ed. Lepoittevin-Lacroix (1797), ¶192]He who thinks he can find in himself the means of doing without others is much mistaken; but he who thinks that others cannot do without him is still more mistaken.
[ed. Gowens (1851), ¶210]He who thinks he has the power to content the world greatly deceives himself, but he who thinks that the world cannot be content with him deceives himself yet more.
[tr. Bund/Friswell (1871), ¶201]The man who thinks he can do without the world errs; but the man who thinks the world can [sic] do without him is in still greater error.
[tr. Heard (1917), ¶206]It is a great mistake for a man to suppose that he can dispense with the world; but it is a much greater one to suppose that the world cannot dispense with him.
[tr. Stevens (1939), ¶201]A man who believes that his inner resources are such that he can dispense with his fellow-men is committing a serious mistake: it is not, however, so serious as that of the man who believes himself indispensable to others.
[tr. FitzGibbon (1957), ¶201]The man who thinks he can do without the world is indeed mistaken; but the man who thinks the world cannot do without him is mistaken even worse.
[tr. Kronenberger (1959), ¶201]The man who thinks he can find enough in himself to be able to dispense with everybody else makes a great mistake, but the man who thinks he is indispensable to others makes an even greater.
[tr. Tancock (1959), ¶201]He who believes that he can make do without any one else in the world, is very mistaken; but he who believes that nobody in the world could make do without him, deceives himself still more greatly.
[tr. Whichello (2016) ¶201]
Then go as far away as possible from home to build your first buildings. The physician can bury his mistakes, — but the architect can only advise his client to plant vines.
Frank Lloyd Wright (1867-1959) American architect, interior designer, writer, educator [b. Frank Lincoln Wright]
Lecture (1930-10-02), “To the Young Man in Architecture,” Chicago Art Institute
(Source)
Closing pieces of advice, #11. One of two lectures delivered at the Institute. While the lectures took place in 1930, they were collected in book form in 1931, which is usually the year they are cited to. Both were reprinted in Wright, The Future of Architecture (1953).
In an article during the lead-up to that book, "Frank Lloyd Wright Talks of His Art," New York Times (1953-10-04), Wright restated the advice, but turned around:The physician can bury his mistakes, but the architect can only advise his clients to plant vines -- so they should go as far as possible from home to build their first buildings.
For more discussion of the origins and variations of this quotation, see: Quote Origin: The Architect Can Only Advise His Client to Plant Vines – Quote Investigator®.
If there is a wrong thing to do, it will be done, infallibly. One has come to believe in that as if it were a law of nature.
George Orwell (1903-1950) English journalist, essayist, writer [pseud. of Eric Arthur Blair]
Diary Entry (1941-05-18), “First War-Time Diary”
(Source)
In context, Orwell is complaining about what he considers squandered opportunities by Britain to occupy Vichy French territories, such as Syria, before Germany could make use of them.
See Murphy's Law.
We may make mistakes — but they must never be mistakes which result from faintness of heart or abandonment of moral principle.
Franklin Delano Roosevelt (1882–1945) American lawyer, politician, statesman, US President (1933–1945)
Speech (1945-01-20), Inaugural Address, Washington, D.C.
(Source)
The study of the errors into which great minds have fallen in the pursuit of truth can never be uninstructive. As the man looks back to the days of his childhood and his youth, and recalls to his mind the strange notions and false opinions that swayed his actions at that time, that he may wonder at them; so should society, for its edification, look back to the opinions which governed the ages fled. He is but a superficial thinker who would despise and refuse to hear of them merely because they are absurd. No man is so wise but that he may learn some wisdom from his past errors, either of thought or action; and no society has made such advances as to be capable of no improvement from the retrospect of its past folly and credulity.
Charles Mackay (1814-1889) Scottish poet, journalist, song writer
Memoirs of Extraordinary Popular Delusions and the Madness of Crowds, “The Alchymists” (1841)
(Source)
Experience: The name every one gives to his mistakes.
Elbert Hubbard (1856-1915) American writer, businessman, philosopher
The Roycroft Dictionary (1914)
(Source)
Dear sire, and offspring worthy of your fire!
We bards are dupes to what ourselves admire.
Would I be brief — I grow confused and coarse;
Who aims at smoothness, fails in fire and force;
In him who soars aloft, bombast is found;
Who fears to face the tempest, crawls aground.
Who courts variety and fain would ring
A thousand changes on the self-same string,
Will paint, as ’twere in fancy’s wildest mood
Boars in the wave and dolphins in the wood.
Thus even error, shun’d without address,
Breeds error, diff’rent in its kind, not less.[Maxima pars vatum, pater et iuvenes patre digni,
decipimur specie recti: brevis esse laboro,
obscurus fio; sectantem levia nervi
deficiunt animique; professus grandia turget;
serpit humi tutus nimium timidusque procellae:
qui variare cupit rem prodigialiter unam,
delphinum silvis adpingit, fluctibus aprum:
in vitium ducit culpae fuga, si caret arte.]Horace (65–8 BC) Roman poet, satirist, soldier, politician [Quintus Horatius Flaccus]
Epistles [Epistularum, Letters], Book 2, ep. 3 “Art of Poetry [Ars Poetica; To the Pisos],” l. 24ff (2.3.24-31) (19 BC) [tr. Howes (1845)]
(Source)
(Source (Latin)). Other translations:The more deale of us Poets, both the olde, and younge most parte,
Are ofte begylde by shewe of good, affectinge to muche arte.
I laboure to be verye breife, it makes me verye harde.
I followe flowinge easynes, my style is clearely marde
For lacke of pith and saverye sence, Write loftie, thou shalte swell:
He creepes by the grounde to lowe, afrayde with stormie vayne to mell.
He that in varyinge one pointe muche would bringe forth monstruouse store,
Would make the dolphin dwell in wooddes and in the flud the bore.
The shunning of a faulte is such that now and then it will
Procure a greater faulte, if it be not eschewde by skill.
[tr. Drant (1567)]The greater part, that boast the Muses fire
Father, and sons right worthy of your Sire,
Are with the likenesse of the truth beguil'd:
My selfe for shortnesse labour, and am stil'd
Obscure. Another striving smooth to runne,
Wants strength, and sinewes, as his spirits were done;
His Muse professing height, and greatnesse, swells;
Downe close by shore, this other creeping steales,
Being over-safe, and fearing of the flaw:
So he that varying still affects to draw
One thing prodigiously, paints in the woods
A Dolphin and a Boare amidst the floods:
The shunning vice, to greater vice doth lead,
If in th'escape an artlesse path we tread.
[tr. Jonson (1640), l. 33ff]Most Poets fall into the grossest faults,
Deluded by a seeming Excellence:
By striving to be short, they grow Obscure,
And when they would write smoothly they want strength,
Their Spirits sink; while others that affect,
A lofty Stile, swell to a Tympany;
Some timerous wretches start at every blast,
And fearing Tempests, dare not leave the Shore.
Others in love with wild variety,
Draw Boars in Waves, and Dolphins in a Wood;
Thus fear of Erring, joyn'd with want of Skill,
Is a most certain way of Erring still.
[tr. Roscommon (1680)]But oft, our greatest errors take their rise
From our best views. I strive to be concise;
I prove obscure. My strength, my fire decays,
When in pursuit of elegance and ease.
Aiming at greatness, some to fustian soar;
Some in cold safety creep along the shore,
Too much afraid of storms; while he, who tries
With ever-varying wonders to surprise,
In the broad forest bids his dolphins play,
And paints his boars disporting in the sea.
Thus, injudicious, while one fault we shun,
Into its opposite extreme we run.
[tr. Francis (1747)]Lov'd sire! lov'd sons, well worthy such a sire!
Most bards are dupes to beauties they admire.
Proud to be brief, for brevity must please,
I grow obscure; the follower of ease
Wants nerve and soul; the lover of sublime
Swells to bombast; while he who dreads that crime,
Too fearful of the whirlwind rising round,
A wretched reptile, creeps along the ground.
The bard, ambitious fancies who displays,
And tortures one poor thought a thousand ways,
Heaps prodigies on prodigies; in woods
Pictures the dolphin, and the boar in floods!
Thus ev'n the fear of faults to faults betrays,
Unless a master-hand conduct the lays.
[tr. Coleman (1783)]The great majority of us poets, father, and youths worthy such a father, are misled by the appearance of right. I labor to be concise, I become obscure: nerves and spirit fail him, that aims at the easy: one, that pretends to be sublime, proves bombastical: he who is too cautious and fearful of the storm, crawls along the ground: he who wants to vary his subject in a marvelous manner, paints the dolphin in the woods, the boar in the sea. The avoiding of an error leads to a fault, if it lack skill.
[tr. Smart/Buckley (1853)]Ye worthy trio! we poor sons of song
Oft find 'tis fancied right that leads us wrong.
I prove obscure in trying to be terse;
Attempts at ease emasculate my verse;
Who aims at grandeur into bombast falls;
Who fears to stretch his pinions creeps and crawls;
Who hopes by strange variety to please
Puts dolphins among forests, boars in seas.
Thus zeal to 'scape from error, if unchecked
By sense of art, creates a new defect.
[tr. Conington (1874)]We poets, most of us, by the pretence,
Dear friends, are duped of seeming excellence.
We grow obscure in striving to be terse;
Aiming at ease, we enervate our verse;
For grandeur soaring, into bombast fall,
And, dreading that, like merest reptiles crawl;
Whilst he, who seeks his readers to surprise
With common things shown in uncommon wise,
Will make his dolphins through the forests roam.
His wild boars ride upon the billows' foam.
So unskilled writers, in their haste to shun
One fault, are apt into a worse to run.
[tr. Martin (1881)]The greater part of us poets, O ye Father and Sons worthy of your parent, deceive ourselves under our illusion of what is right. I strive to write briefly, and so write obscurely. Compositions of a smooth nature argue a writer's deficiency both in force and spirit. An attempt at great subjects swells into bombast. A too cautious writer, and dreader of opposition, confines himself to common things. One who desires to amplify a single theme in an extravagant way, puts a dophin innto a wood, and a wild boar into the sea. The avoidance of one error, if unguarded by art, leads to another.
[tr. Elgood (1893)]Most of us poets are misled by insistence upon our idea of what is right. I try to be brief and I become obscure; aiming at smoothness, we lose in vigor and spirit; attempting the sublime, we become turgid. Timid of the storm, we crawl along the ground. Thus if one lacks art, the over careful avoidance of one fault leads to another.
[tr. Dana/Dana (1911)]Most of us poets, O father and ye sons worthy of the father, deceive ourselves by the semblance of truth. Striving to be brief, I become obscure. Aiming at smoothness, I fail in force and fire. One promising grandeur, is bombastic; another, overcautious and fearful of the gale, creeps along the ground. The man who tries to vary a single subject in monstrous fashion, is like a painter adding a dolphin to the woods, a boar to the waves. Shunning a fault may lead to error, if there be lack of art.
[tr. Fairclough (Loeb) (1926)]Most of us poets -- O father, and sons worthy of your father, -- are misled by our idea of what is correct. I try to be terse, and end by being obscure; another strives after smoothness, to the sacrifice of vigour and spirit; a third aims at grandeur, and drops into bombast; a fourth, through an excess of caution and fear of squalls, goes creeping along the ground. He who is bent on lending variety to a theme that is by nature uniform, so as to produce an unnatural effect, is like a man who paints a dolphin in a forest or a wild boar in the waves. If artistic feeling is not there, mere avoidance of a fault leads to some worse defect.
[tr. Blakeney; ed. Kramer, Jr. (1936)]O father, and sons who deserve a father like yours,
We poets are too often tricked into trying to achieve
A particular kind of perfection: I studiously try
To be brief, and become obscure; I try to be smooth,
And my vigor and force disappear; another assures us
Of something big which turns out to be merely pompous.
Another one crawls on the ground because he's too safe,
Too much afraid of the storm. The poet who strives
To vary his single subject in wonderful ways
Paints dolphins in woods and foaming boars on the waves.
Avoiding mistakes, if awkwardly done, leads to an error.
[tr. Palmer Bovie (1959)]Most poets, father and young men deserving such a father,
go wrong in trying to be right: I struggle for concision,
I wind up being obscure; others try for smoothness
and lose strength, or for sublimit, and get gas.
One poet, too cautious, fears storms and craws along,
the other craves bizarre variety in a single subject
and paints a dolphin in a forest, a boar among the waves.
Fear of criticism leads to faults if we lack art.
[tr. Fuchs (1977)]Most poets, leaders and led,
Chase a will-o’-the-wisp of abstract Right.
Thus:
I aim
at concision,
I hit
on darkness.
I aim to be smooth, my lines go slack.
The eloquent idealist rants and raves,
The timid, the gutless, crawl like beetles,
Seekers after novelty hang dolphins in trees,
Float a boar in the sea:
O rare effects!
O marvelous.
Ugh.
[tr. Raffel (1983 ed.)]Father and worthy sons, we poets often
Know what we're aiming at, and often we miss.
I try my best to be terse, and I'm obscure;
I try for mellifluous smoothness, smooth as can be,
And the line comes out as spineless as a worm;
One poet, aiming for grandeur, booms and blusters;
Another one, scared, creeps his way under the storm;
And another, desiring to vary his single theme
In wonderful ways, produces not wonders but monsters --
Dolphins up in the trees, pigs in the ocean.
If you don't know what you're doing you can go wrong
Just out of trying to do your best to do right.
[tr. Ferry (2001)]Poets in the main (I’m speaking to a father and his excellent sons)
are baffled by the outer form of what’s right. I strive to be brief,
and become obscure; I try for smoothness, and instantly lose
muscle and spirit; to aim at grandeur invites inflation;
excessive caution or fear of the wind induces groveling.
The man who brings in marvels to vary a simple theme
is painting a dolphin among the trees, a boar in the billows.
Avoiding a fault will lead to error if art is missing.
[tr. Rudd (2005 ed.)]Most poets (dear sir, and you sons worthy of your sire),
Are beguiled by accepted form. I try to be brief
And become obscure: aiming at smoothness I fail
In strength and spirit: claiming grandeur he’s turgid:
Too cautious, fearing the blast, he crawls on the ground:
But the man who wants to distort something unnaturally
Paints a dolphin among the trees, a boar in the waves.
Avoiding faults leads to error, if art is lacking.
[tr. Kline (2015)]
Nobody talks much that does n’t say unwise things, — things he did not mean to say; as no person plays much without striking a false note sometimes. Talk, to me, is only spading up the ground for crops of thought. I can’t answer for what will turn up.
War is mainly a catalogue of blunders.
Winston Churchill (1874-1965) British statesman and author
The Second World War, Vol. 3: The Grand Alliance, ch. 20 “The Soviet Nemesis” (1950)
(Source)
Specifically, on the USSR failing to form an allied front in the Balkans against Hitler prior to his attack on them.
Constant effort and frequent mistakes are the stepping-stones of genius.
Elbert Hubbard (1856-1915) American writer, businessman, philosopher
Little Journeys to the Homes of the Great, Vol. 12: Little Journeys to the Homes of Great Scientists, “William Herschel” (1916)
(Source)
Failure: A man who has blundered but is not able to cash in on the experience.
Elbert Hubbard (1856-1915) American writer, businessman, philosopher
The Roycroft Dictionary (1914)
(Source)
DREAM: It is sometimes a mistake to climb; it is always a mistake never even to make the attempt.
Neil Gaiman (b. 1960) British author, screenwriter, fabulist
Sandman, Book 6. Fables and Reflections, Vertigo Preview, “Fear of Falling” (1992-12)
(Source)
“I beseech ye in the bowels of Christ, think that ye may be mistaken.” I should like to have that written over the portals of every church, every school, and every court house, and, may I say, of every legislative body in the United States. I should like to have every court begin, “I beseech ye in the bowels of Christ, think that we may be mistaken.”
Learned Hand (1872-1961) American jurist
Testimony, US Senate Committee on Labor and Public Welfare, Special Subcommittee on the Establishment of a Commission on Ethics in Government (1951-06-28)
(Source)
This was a favorite phrase of Hand's regarding his own judicial philosophy. Quoting Oliver Cromwell's letter to the General Assembly of the Church of Scotland (Aug 1650) before the Battle of Dunbar.
Collected as "Morals in Public Life" in Irving Dillard, ed., The Spirit of Liberty (1952).
Finish every day and be done with it. For manners and for wise living it is a vice to remember. You have done what you could; some blunders and absurdities no doubt crept in; forget them as soon as you can. Tomorrow is a new day; you shall begin it well and serenely, and with too high a spirit to be cumbered with your old nonsense.
Ralph Waldo Emerson (1803-1882) American essayist, lecturer, poet
Letter to one of his daughters
(Source)
Logic is an organized way of going wrong with confidence.
Charles F. Kettering (1876-1958) American inventor, engineer, researcher, businessman
“Kettering’s Law,” from address before American Society of Mechanical Engineers (c. 1944)
Quoted in Heinlein, The Number of the Beast (1980).Alternately quoted:
- "Beware logic. Logic is an organized way to go wrong -- with confidence."
- Logic is an organized way to go wrong with confidence. We should all know by now that a logical course is not always the right one."
Sometimes referred to "Kettering's Observation."
Cited in Food Industries magazine, vol. 16 (1944), referring to the speech being "recent" (the magazine is also referred to as Food Engineering).
This site previously incorrectly attributed the quote to Iris Murdoch. That attribution seems to have been duplicated at some other sites, but was an error. I have also found citations to L. Walter Lundell and Karl Popper.
Another "Kettering's Law" that is referenced is: "Parts left out cost nothing, require no maintenance, and do not fail."
O my son!
These are no trifles! Think: all men make mistakes,
But a good man yields when he knows his course is wrong,
And repairs the evil. The only crime is pride.Sophocles (496-406 BC) Greek tragic playwright
Antigone, l. 1022ff [Tiresias] (441 BC) [tr. Fitts/Fitzgerald (1939), ll. 803ff]
(Source)
Alt. trans.:Then take these things to heart, my son: for error
Is as the universal lot of man;
But whenso'er he errs, that man no longer
Is witless or unblessed, who, having fallen
Into misfortune, seeks to mend his ways
And is not obstinate: the stiffneckt temper
Must oft plead guilty to the charge of folly.
[tr. Donaldson (1848)]Now, then, my son, take thought. A man may err;
But he is not insensate or foredoomed
To ruin, who, when he hath lapsed to evil,
Stands not inflexible, but heals the harm.
The obstinate man still earns the name of fool.
[tr. Campbell (1873)]O ponder this, my son. To err is common
To all men, but the man who having erred
Hugs not his errors, but repents and seeks
The cure, is not a wastrel nor unwise.
No fool, the saw goes, like the obstinate fool.
[tr. Storr (1859)]Think, therefore, on these things, my son. All men are liable to err. But when an error is made, that man is no longer unwise or unblessed who heals the evil into which he has fallen and does not remain stubborn. Self-will, we know, invites the charge of foolishness.
[tr. Jebb (1891)]Consider this, my son! and, O remember,
To err is human; 'tis the common lot
Of frail mortality; and he alone
Is wise and happy, who, when ills are done,
Persists not, but would heal the wound he made.
[tr. Werner (1892)]Think, then, on these things, my son. All men are liable to err; but when an error hath been made, that man is no longer witless or unblest who heals the ill into which he hath fallen, and remains not stubborn. Self-will, we know, incurs the charge of folly.
[tr. Jebb (1917)]Mark this, my son: all men fall into sin.
But sinning, he is not forever lost
Hapless and helpless, who can make amends
And has not set his face against repentance.
Only a fool is governed by self-will.
[tr. Watling (1939)]Think of these things, my son. All men may err
but error once committed, he's no fool
nor yet unfortunate, who gives up his stiffness
ad cures the trouble he has fallen in.
Stubbornness and stupidity are twins.
[tr. Wyckoff (1954)]Be warned, my son, No man alive is free
From error, but the wise and prudent man
When he has fallen into evil courses
Does not persist, but tries to find amendment ....
[tr. Kitto (1962)]Take these things to heart, my son, I warn you.
All men make mistakes, it is only human.
But once the wrong is done, a man
can turn his back on folly, misfortune too,
if he tries to make amends, however low he's fallen,
and stops his bullnecked ways. Stubbornness
brands you for stupidity -- pride is a crime
[tr. Fagles (1982), l. 1131ff]Therefore, think about this, child. For men,
all of them, it is common to make mistakes.
Whenever he does make a mistake, that man is still not
foolish or unhappy who, fallen into evil,
applies a remedy and does not become immovable.
Stubborn self-will incurs a charge of stupidity.
[tr. Tyrell/Bennett (2002)]Understand this: All men make mistakes. But when they do, it would be a wise and well acting man who corrected that mistake and moved on rather than stayed there stubbornly and unrepentant. The stubborn man is rewarded with more errors.
[tr. Theodoridis (2004)]Consider this, my son.
All men make mistakes -- that's not uncommon.
But when they do, they’re no longer foolish
or subject to bad luck if they try to fix
the evil into which they’ve fallen,
once they give up their intransigence.
Men who put their stubbornness on show
invite accusations of stupidity.
[tr. Johnston (2005), l. 1138ff]Therefore, think on these things, my child; for every human being makes mistakes, but when he has made a mistake, that man is no longer foolish and unhappy who remedies the evil into which he has fallen and is not stubborn. Obstinacy brings the charge of stupidity.
[tr. Thomas (2005)]
I don’t believe in twisting yourself into knots of excuses and explanations over the food you make. When one’s hostess starts in with self-deprecations such as “Oh, I don’t know how to cook …,” or “Poor little me …,” or “This may taste awful …,” it is so dreadful to have to reassure her that everything is delicious and fine, whether it is or not. Besides, such admissions only draw attention to one’s shortcomings (or self-perceived shortcomings) and make the other person think, “Yes, you’re right, this really is an awful meal!” Maybe the cat has fallen into the stew, or the lettuce has frozen, or the cake has collapsed — eh bien, tant pis!
Julia Child (1912-2004) American chef and writer
My Life In France, “Le Cordon Bleu,” sec. 2 (2006)
(Source)
"Oh well, too bad."
Do not be too timid and squeamish about your actions. All life is an experiment. The more experiments you make the better. What if they are a little coarse, and you may get your coat soiled or torn? What if you do fail, and get fairly rolled in the dirt once or twice. Up again, you shall never be so afraid of a tumble.
I never make stupid mistakes. Only very, very clever ones.
John Peel (b. 1954) British writer [pen names Nicholas Adams, Rick North, J.P. Trent, John Vincent]
Timewyrm: Genesys, ch. 10 [The Doctor] (1991)
(Source)
Part of Virgin's "Doctor Who New Adventures" book series, which came out after the 1963 version of the TV show was canceled. Note that some sites misattribute this book to another Doctor Who novelist, David A. McIntee.
The greatest follies, like the stoutest ropes, are often composed of a multitude of strands. Take the cable thread by thread, take separately each petty determining motive, and you can snap them one by one and say, “There’s no more to it than that!” Braid them and twist them together, and what you have is momentous.
[Les fortes sottises sont souvent faites, comme les grosses cordes, d’une multitude de brins. Prenez le câble fil à fil, prenez séparément tous les petits motifs déterminants, vous les cassez l’un après l’autre, et vous dites: Ce n’est que cela! Tressez-les et tordez-les ensemble, c’est une énormité.]Victor Hugo (1802-1885) French writer
Les Misérables, Part 2 “Cosette,” Book 5 “Dark Hunt, Mute Mutts,” ch. 10 (2.5.10) (1862) [tr. Donougher (2013)]
(Source)
(Source (French)). Alternate translations:Great blunders are often made, like large ropes, of a multitude of fibres. Take the cable thread by thread, take separately all the little determining motives, you break them one after another, and you say: that is all. Wind them and twist them together, they become an enormity.
[tr. Wilbour (1862)]Great follies are often made, like stout ropes, of a multitude of fibers. Take the cable, thread by thread, catch hold of the small determining motives separately, and you break them one after the other, and say to yourself, “It is only that”; but twist them together and you have an enormity.
[tr. Wraxall (1862)]The greatest follies are often composed, like the largest ropes, of a multitude of strands. Take the cable thread by thread, take all the petty determining motives separately, and you can break them one after the other, and you say, "That is all there is of it!" Braid them, twist them together; the result is enormous.
[tr. Hapgood (1887)]The greatest blunders, like the thickest ropes, are often compounded of a multitude of strands. Take the rope apart, separate it into the small threads that compose it, and you can break them one by one. You think, 'That is all there was!' But twist them all together, and you have something tremendous.
[tr. Denny (1976)]Great blunders are often made, like large ropes, of a multitude of fibers. Take the cable thread by thread, take all the little determining motives separately, you break them one after another, and you say: That is all it is. Braid them and twist them together, they become an enormity.
[tr. Wilbour/Fahnestock/MacAfee (1987)]
The pillow is a silent Sibyl, and to sleep upon an enterprise avails more than to be sleepless under it.
[Es la almohada Sibila muda, y el dormir sobre los puntos vale más que el desvelarse debajo de ellos.]
Baltasar Gracián y Morales (1601-1658) Spanish Jesuit priest, writer, philosopher
The Art of Worldly Wisdom [Oráculo Manual y Arte de Prudencia], § 151 (1647) [tr. Fischer (1937)]
(Source)
(Source (Spanish)). Alternate translations:The Pillow is a dumb Sibylle. To sleep upon a thing that is to be done, is better than to be awaked by a thing already done.
[Flesher ed. (1685)]The pillow is a silent Sibyl, and it is better to sleep on things beforehand than lie awake about them afterwards.
[tr. Jacobs (1892)]The pillow is a tongueless sibyl, and it is better to sleep on something than to lie awake when things are on top of you.
[tr. Maurer (1992)]
No man is exempt from saying silly things; the mischief is to say them deliberately.
[Personne n’est exempt de dire des fadaises: le malheur est, de les dire curieusement]
Michel de Montaigne (1533-1592) French essayist
Essays, Book 3, ch. 1 (3.1), “Of the Useful and the Honorable [De l’utile et de l’honnête]” (1586)
(Source)
First appeared in the 2nd (1588) edition. (Source (French)). Alternate translations:No man living is free from speaking foolish things; the ill lucke is, to speake them curiouslie.
[tr. Florio (1603)]No Man is free from speaking foolish things; but the worst on't is when a Man studies to play the Fool.
[tr. Cotton (1686)]No man is free from speaking foolish things; but the worst on it is, when a man labors to play the fool.
[tr. Cotton/Hazlitt (1877)]No one is exempt from saying foolish things; the misfortune is to say them intentionally.
[tr. Ives (1925)]No one is exempt from saying silly things. The misfortune is to say them with earnest effort.
[tr. Frame (1943)]No one is free from uttering stupidities. The harm lies in doing it meticulously.
[tr. Screech (1987)]
Allowing an unimportant mistake to pass without a comment is a wonderful social grace […] Children who have the habit of constantly correcting should be stopped before they grow up to drive spouses and everyone else crazy by interrupting stories to say, “No, dear — it was Tuesday, not Wednesday.”
All men make mistakes; but it is fools who persist in them.
[Cuiusvis hominis est errare, nullius nisi insipientis in errore perseverare.]
Marcus Tullius Cicero (106-43 BC) Roman orator, statesman, philosopher
Philippics [Philippicae; Antonian Orations], No. 12, ch. 2 / sec. 5 (12.2/12.5) (43-03 BC) [tr. @sentantiq (2012)]
(Source)
(Source (Latin)). Other translations:Every man may err, but no man who is not a fool may persist in error.
[ed. Harbottle (1897)]Any man is liable to a mistake; but no one but a downright fool will persist in error.
[tr. Yonge (1903)]Every man is liable to err; it is the part only of a fool to persevere in error.
[tr. Ker (Loeb) (1926)]Any man is liable to err, only a fool persists in error.
[ed. Guterman (1966)]Of any man at all it is to err, to persist in error is of none except unthinking.
[tr. Wiseman]
POSITIVE, adj. Mistaken at the top of one’s voice.
Ambrose Bierce (1842-1914?) American writer and journalist
“Positive,” The Devil’s Dictionary (1911)
(Source)
Originally published in the "Cynic's Word Book" column in the New York American (1906-03-16) and the "Cynic's Dictionary" column in the San Francisco Examiner (1906-03-21).



















































































