A breath of wind — no more — is earthly fame,
And now this way it blows and that way now,
And as it changes quarter, changes name.
[Non è il mondan romore altro ch’un fiato
di vento, ch’or vien quinci e or vien quindi,
e muta nome perché muta lato.]
Dante Alighieri (1265-1321) Italian poet
The Divine Comedy [Divina Commedia], Book 2 “Purgatorio,” Canto 11, l. 100ff (11.100-102) [Oderisi of Gubbio] (1314) [tr. Sayers (1955)]
(Source)
(Source (Italian)). Alternate translations:
The breath of Fame is but a fickle gale,
Whose veering blasts from every point prevail,
And every change bestows a different name.
[tr. Boyd (1802), st. 20]
The noise
Of worldly fame is but a blast of wind,
That blows from divers points, and shifts its name
Shifting the point it blows from.
[tr. Cary (1814)]
The mundane rumour is a fleeting breath
Of wind, that veers and varies in account,
And changes name because it changes point.
[tr. Bannerman (1850)]
Naught is this mundane rumour but a breath
Of wind, that comes now this way and now that,
And changes name, because it changes side.
[tr. Longfellow (1867)]
The rumour of the world is naught else than a breath of wind, which now comes hence and now comes thence, and changes name because it changes quarter.
[tr. Butler (1885)]
Mundane renown is but a breath forlorn
Of wind that cometh now from here, now there,
Named various from the quarter whence 'tis borne.
[tr. Minchin (1885)]
Worldly renown is naught but a breath of wind, which now comes this way and now comes that, and changes name because it changes quarter.
[tr. Norton (1892)]
Earthly fame is naught but a breath of wind, which now cometh hence and now thence, and changes name because it changes direction.
[tr. Okey (1901)]
The world's noise is but a breath of wind which comes now this way and now that and changes name because it changes quarter.
[tr. Sinclair (1939)]
Naught but a wind's breath is the world's acclaim,
Which blows now hence, now thence, as it may hap,
And when it changes quarter changes name.
[tr. Binyon (1943)]
A breath of wind is all there is to fame
here upon earth: it blows this way and that
and when it changes quarter it changes name.
[tr. Ciardi (1961)]
Earthly fame is naught but a breath of wind,
which now comes hence and now comes thence,
changing its name because it changes quarter.
[tr. Singleton (1973)]
Your earthly fame is but a gust of wind
that blows about, shifting this way and that,
and as it changes quarter, changes name.
[tr. Musa (1981)]
Earthly fame is nothing but a breath of wind,
Which first blows one way and then blows another,
And brings a fresh name from each fresh direction.
[tr. Sisson (1981)]
Worldly renown is nothing other than
a breath of wind that blows now here, now there,
and changes name when it has changed its course.
[tr. Mandelbaum (1982)]
The clamor of the world is nothing but a breath of wind that comes now from here and now from there, and changes names because it changes directions.
[tr. Durling (2003)]
Worldly Fame is nothing but a breath of wind, that now blows here, and now there, and changes name as it changes direction.
[tr. Kline (2002)]
The roar of earthly fame is just a breath
of wind, blowing from here and then from there,
that changes name in changing origin.
[tr. Kirkpatrick (2007)]
Worldly fame is nothing but a gust of wind,
first blowing from one quarter, then another,
changing name with every new direction.
[tr. Hollander/Hollander (2007)]
Shouts of worldly fame are nothing more
Than a passing breath of wind, blowing here,
Then there, changing its name from place to place.
[tr. Raffel (2010)]
Quotations about:
celebrity
Note not all quotations have been tagged, so Search may find additional quotes on this topic.
Celebrity: the advantage of being known by those who do not know you.
[Célébrité: l’avantage d’être connu de ceux qui ne vous connaissent pas.]
Nicolas Chamfort (1741-1794) French writer, epigrammist (b. Nicolas-Sébastien Roch)
Products of Perfected Civilization [Produits de la Civilisation Perfectionée], Part 1 “Maxims and Thoughts [Maximes et Pensées],” ch. 1, ¶ 135 (1795) [tr. Mathers (1926)]
(Source)
(Source (French)). Alternate translations:
Celebrity: the advantage of being known to those who do not know you.
[tr. Hutchinson (1902)]
Celebrity: the advantage of being known by those who do not know you.
[tr. Merwin (1969)]
Being a celebrity gives you the advantage of being known to those not of your acquaintance.
[tr. Pearson (1973)]
Celebrity: the advantage of being known by those who do not know you.
[tr. Dusinberre (1992)]
Celebrity: the advantage of being known by people who don't know you.
[tr. Parmée (2003), ¶ 111]
Celebrity: the advantage of being recognized by people who don't know you.
[Source]
I don’t think about whether people will remember me or not. I’ve been an okay person. I’ve learned a lot. I’ve taught people a thing or two. That’s what’s important. Sooner or later the public will forget you, the memory of you will fade. What’s important are the individuals you’ve influenced along the way.
A transition from an author’s book to his conversation is too often like an entrance into a large city after a distant prospect. Remotely, we see nothing but spires of temples, and turrets of palaces, and imagine it the residence of splendor, grandeur, and magnificence; but when we have passed the gates, we find it perplexed with narrow passages, disgraced with despicable cottages, embarrassed with obstructions, and clouded with smoke.
Samuel Johnson (1709-1784) English writer, lexicographer, critic
The Rambler, #14 (5 May 1784)
(Source)
Once you’ve been to Cambodia, you’ll never stop wanting to beat Henry Kissinger to death with your bare hands. You will never again be able to open a newspaper and read about that treacherous, prevaricating, murderous scumbag sitting down for a nice chat with Charlie Rose or attending attending some black-tie affair for a new glossy magazine without choking. Witness what Henry did in Cambodia — the fruits of his genius for statesmanship — and you will never understand why he’s not sitting in the dock at The Hague next to Milošević. While Henry continues to nibble nori rolls and remaki at A-list parties, Cambodia, the neutral nation he secretly and illegally bombed, invaded, undermined, and then threw to the dogs, is still trying raise itself up on its one remaining leg.
Anthony Bourdain (1956-2018) American chef, author, travel documentarian
A Cook’s Tour, ch. 9 “Road to Pailin” (2001)
(Source)
The professional celebrity, male and female, is the crowning result of the star system of a society that makes a fetish of competition.
C. Wright Mills (1916-1962) American sociologist, academic, author [Charles Wright Mills]
The Power Elite (1956)
(Source)
Celebrity is just obscurity biding its time.
Talent is God-given; be humble. Fame is man-given; be thankful. Conceit is self-given; be careful.
Any girl can be glamorous. All you have to do is stand still and look stupid.
Hedy Lamarr (1914-2000) Austrian-American film actress and inventor [b, Hedwig Eva Maria Kiesler]
(Attributed)
Quoted in Richard Schickel, The Stars (1962).
A democracy is badly served when newspapers and television focus so intensely on the personal joys and tragedies of famous people. This kind of “news” crowds out more serious issues, and there is an important difference — as the Constitution’s framers well knew, and as many people today appear to have forgotten — between the public interest and what interests the public.
Cass R. Sunstein (b. 1954) American legal scholar
“Reinforce the Walls of Privacy,” New York Times (6 Sep 1997)
Glorious men are the scorn of wise men, the admiration of fools, the idols of parasites, and the slaves of their own vaunts.
Francis Bacon (1561-1626) English philosopher, scientist, author, statesman
“Of Vain-Glory,” Essays, No. 54 (1625)
(Source)
How many sacrifice honor, a necessity, to glory, a luxury?
Joseph Roux (1834-1886) French Catholic priest
Meditations of a Parish Priest: Thoughts, ch. 4, #38 (1886)
(Source)
Many men and many women enjoy popular esteem, not because they are known, but because they are not.
Nicolas Chamfort (1741-1794) French writer, epigrammist (b. Nicolas-Sébastien Roch)
(Attributed)
(Source)
Attributed in Maturin M. Ballou, Notable Thoughts About Women, #3144 (1882).
When I was a fighting man, the kettle-drum they beat,
The people scattered gold-dust before my horse’s feet;
But now I am a great king, the people hound my track
With poison in my wine-cup, and daggers at my back.Robert E. Howard (1906-1936) American author
“The Phoenix on the Sword” (1932)
The main advantage of being famous is that when you bore people at dinner parties they think it is their fault.
Henry Kissinger (b. 1923) German-American diplomat
(Attributed)
Quoted by James Naughtie in The Spectator (1 Apr 1995).
The political leaders with whom we are familiar generally aspire to be superstars rather than heroes. The distinction is crucial. Superstars strive for approbation; heroes walk alone. Superstars crave consensus; heroes define themselves by the judgment of a future they see it as their task to bring about. Superstars seek success in a technique for eliciting support; heroes pursue success as the outgrowth of their inner values.
Henry Kissinger (b. 1923) German-American diplomat
“With Faint Praise,” New York Times Book Review (16 Jul 1995)
A transition from an author’s book to his conversation, is too often like an entrance into a large city, after a distant prospect. Remotely, we see nothing but spires of temples and turrets of palaces, and imagine it the residence of splendour, grandeur and magnificence; but when we have passed the gates, we find it perplexed with narrow passages, disgraced with despicable cottages, embarrassed with obstructions, and clouded with smoke.
Samuel Johnson (1709-1784) English writer, lexicographer, critic
The Rambler, #14 (5 May 1750)
(Source)
Celebrity is a mask that eats into the face. As soon as one is aware of being “somebody,” to be watched and listened to with extra interest, input ceases, and the performer goes blind and deaf in his overanimation. One can either see or be seen.
Popularity is a Crime from the Moment it is sought; it is only a Virtue where Men have it whether they will or no.
George Savile, Marquis of Halifax (1633-1695) English politician and essayist
“Of Ambition,” Political, Moral, and Miscellaneous Reflections (1750)
(Source)
Those whom the gods wish to destroy, they first make famous.
Joyce Carol Oates (b. 1938) American author
“Down the Road,” New Yorker (27 Mar 1985)
See Euripides.
You long to “leap at a single bound into celebrity.” Nothing is so common-place as to wish to be remarkable. Fame usually comes to those who are thinking about something else, — very rarely to those who say to themselves, “Go to, now, let us be a celebrated individual!”
Certainly fame is like a river, that beareth up things light and swollen, and drowns things weighty and solid.
Francis Bacon (1561-1626) English philosopher, scientist, author, statesman
“Of Praise,” Essays, No. 53 (1625)
(Source)
When most the world applauds you, most beware;
‘Tis often less a blessing than a snare.
But a new danger appears in the excess of influence of the great man. His attractions warp us from our place. We have become underlings and intellectual suicides. Ah! yonder in the horizon is our help; — other great men, new qualities, counterweights and checks on each other. We cloy of the honey of each peculiar greatness. Every hero becomes a bore at last.
Ralph Waldo Emerson (1803-1882) American essayist, lecturer, poet
“Uses of Great Men,” Representative Men Lecture 1, Boston (1845-12-11)
(Source)
Celebrity-worship and hero-worship should not be confused. Yet we confuse them every day, and by doing so we come dangerously close to depriving ourselves of all real models. We lose sight of the men and women who do not simply seem great because they are famous but are famous because they are great. We come closer and closer to degrading all fame into notoriety.
Daniel J. Boorstin (1914-2004) American historian, professor, attorney, writer
The Image: A Guide to Pseudo-Events in America, ch. 2, “From Hero to Celebrity: The Human Pseudo-event” (1961)
It is a great piece of folly to sacrifice the inner for the outer man, to give the whole or the greater part of one’s quiet, leisure, and independence for splendor, rank, pomp, titles and honor.
[Es ist eine große Thorheit, um nach Außen zu gewinnen, nach Innen zu verlieren, d. h. für Glanz, Rang, Prunk, Titel und Ehre, seine Ruhe, Muße und Unabhängingkeit ganz oder großen Theils hinzurgeben.]
Arthur Schopenhauer (1788-1860) German philosopher
Parerga and Paralipomena, Vol. 1, “Aphorisms on the Wisdom of Life [Aphorismen zur Lebensweisheit],” ch. 2 “Personality, or What Man Is [Von dem, was einer ist]” (1851) [tr. Saunders (1890)]
(Source)
(Source (German)). Alternate translation:
It is a great folly to lose the inner man in order to gain the outer, that is, to give up the whole or the greater part of one's quiet, leisure, and independence for splendor, rank, pomp, titles and honors.
[tr. Payne (1974)]
