Ours is not the only story, just the most interesting one.

Mignon McLaughlin (1913-1983) American journalist and author
The Second Neurotic’s Notebook, ch. 4 (1966)
    (Source)
 
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The power of Thought, — the magic of the Mind!

Lord Byron
George Gordon, Lord Byron (1788-1824) English poet
The Corsair, Canto 1, st. 8, l. 184 (1814)
    (Source)

The abilities -- plus success -- that Conrad uses to control his crew.
 
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No man rules safely unless he is willing to be ruled. No man commands safely unless he has learned well how to obey.

[Nemo secure apparet nisi qui libenter latet. Nemo secure præcipit nisi qui obedire didicit.]

Thomas von Kempen
Thomas à Kempis (c. 1380-1471) German-Dutch priest, author
The Imitation of Christ [De Imitatione Christi], Book 1, ch. 20, v. 2 (1.20.2) (c. 1418-27) [tr. Croft/Bolton (1940)]
    (Source)

See also Cicero. (Source (Latin)). Alternate translations:

No man is sure in prelacy, but that he would gladly be a subject: no, none may surely command, but he that hath learned gladly to obey
[tr. Whitford/Raynal (1530/1871)]

No man is secure in high position save he who would gladly be a subject. No man can firmly command save he who has learned gladly to obey.
[tr. Whitford/Gardiner (1530/1955)]

No man ruleth safely but he that is ruled willingly, no man securely doth command, but he that hath learned readily to obey.
[tr. Page (1639), 1.20.9]

No Man is fit to govern who hath not learned how to obey.
[tr. Stanhope (1696; 1706 ed.)]

No man can safely govern, that would not cheerfully become subject; no man can safely command, that has not truly learned to obey.
[tr. Payne (1803), 1.20.4]

No man ruleth safely, but he that is willingly ruled. No man securely doth command, but he that hath learned readily to obey.
[ed. Parker (1841)]

No man can safely govern, that would not willingly be governed; no man can safely command, that has not well learned to obey.
[tr. Dibdin (1851), 1.20.3]

No man is safe to govern, but he who would rather live in subjection. No man is safe to command, but he who has learned well how to obey.
[ed. Bagster (1860)]

No man safely ruleth but he who loveth to be subject. No man safely commandeth but he who loveth to obey.
[tr. Benham (1874)]

No man doth safely rule, but he that is glad to be ruled. No man doth safely rule, but he that hath learned gladly to obey.
[tr. Anon. (1901)]

No one is safely set above who would not cheerfully be subject. No one safely gives orders but he who has thoroughly learned to obey.
[tr. Daplyn (1952)]

No man can safely command, unless he who has learned to obey well.
[tr. Sherley-Price (1952)]

Never trust yourself [...] to come to the front, unless you would sooner be at the back; to give orders, unless you know how to obey them.
[tr. Knox-Oakley (1959), 1.20(b)]

No one can safely be in command, but the man who has learned complete obedience.
[tr. Knott (1962)]

No one governs with safety who is unwilling to be governed. No one gives commands with safety who has not learned well how to obey.
[tr. Rooney (1979)]

No one leads securely except the person who freely serves.
[tr. Creasy (1989)]

 
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Those who want the Government to regulate matters of the mind and spirit are like men who are so afraid of being murdered that they commit suicide to avoid assassination.

Truman - Government regulate matters mind and spirit commit suicide - wist.info quote

Harry S Truman (1884-1972) US President (1945-1953)
Speech, National Archives (1952-12-15)
    (Source)
 
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“One must do as others do”: a suspect maxim, which nearly always means: “one must do wrong” as soon as it is applied to anything beyond those purely external matters which are of no consequence, but depend on custom, fashion or convention.

[«Il faut faire comme les autres»: maxime suspecte, qui signifie presque toujours: «il faut mal faire» dès qu’on l’étend au delà de ces choses purement extérieures, qui n’ont point de suite, qui dépendent de l’usage, de la mode ou des bienséances.]

Jean de La Bruyere
Jean de La Bruyère (1645-1696) French essayist, moralist
The Characters [Les Caractères], ch. 12 “Of Opinions [Des Jugements],” § 10 (12.10) (1688) [tr. Stewart (1970)]
    (Source)

(Source (French)). Alternate translations:

We must do like other men; a dangerous Maxim, and for the most part signifies we must do ill; if you speak not of things purely exteriour, and of no consequence, but what depends on Custome, Fashion, or Decency.
[Bullord ed. (1696)]

We must do as others do; a dangerous Maxim, which for the most part signifies we must do ill, if extended beyond things purely exterior, and of no consequence, things depending on Custom, Fashion, or Decency.
[Curll ed. (1713)]

We must do like other Men: a dangerous Maxim, for the most Part signifying we must do ill, if you carry it beyond things external, and of no consequence, but depending on Custom, Fashion, or Ceremony.
[Browne ed. (1752)]

“We must do as others do” is a dangerous maxim, which nearly always means “we must do wrong” if it is applied to any but external things of no consequence, and depending on custom, fashion, or decency.
[tr. Van Laun (1885)]

 
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In fact, “atheism” is a term that should not even exist. No one ever needs to identify himself as a “non-astrologer” or a “non-alchemist.” We do not have words for people who doubt that Elvis is still alive or that aliens have traversed the galaxy only to molest ranchers and their cattle. Atheism is nothing more than the noises reasonable people make in the presence of unjustified religious beliefs.

Sam Harris (b. 1967) American author, philosopher, neuroscientist
Letter to a Christian Nation (2006)
    (Source)
 
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The wise man preserves a smooth-tempered self-control.

[πρὸς σοφοῦ γὰρ ἀνδρὸς ἀσκεῖν σώφρον᾽ εὐοργησίαν.]

Euripides (485?-406? BC) Greek tragic dramatist
Bacchæ [Βάκχαι], l. 641ff [Dionysus/Διόνυσος] (405 BC) [tr. Vellacott (1973)]
    (Source)

An ironic statement from Dionysus, of how he will keep his calm and temper in the face of Pentheus' disrespectful fury. In very short order, Dionysus is (calmly) setting up Pentheus' self-destruction through the Bacchantes' frenzy.

(Source (Greek)). Alternate translations:

For it behoves the wise
To curb the sallies of outrageous ire.
[tr. Wodhull (1809)]

For it is the part of a wise man to practice restrained good temper.
[tr. Buckley (1850)]

’Tis easy to a wise man To practise self-command.
[tr. Milman (1865)]

For a wise man ever knoweth how to keep his passion down.
[tr. Rogers (1872)]

For ’tis a wise man’s way to school his temper into due control.
[tr. Coleridge (1891)]

For it is the wise man's part to rein his wrath in soberness.
[tr. Way (1898)]

For still are the ways of Wisdom, and her temper trembleth not!
[tr. Murray (1902)]

Wise men know constraint: our passions are controlled.
[tr. Arrowsmith (1960)]

For it is the quality of a wise man to exercise restrained good temper.
[tr. Kirk (1970)]

The secret of life is
Balance, tolerance.
[tr. Soyinka (1973)]

A wise man should practice pure thought and good temper.
[tr. Neuburg (1988)]

A wise man knows restraint. His strength is his detachment.
[tr. Cacoyannis (1982)]

For the wise know gentleness is wisdom.
[tr. Blessington (1993)]

For it is the part of a wise man to employ a controlled and gentle temper.
[tr. Esposito (1998)]

A wise man trains his temper to be good and calm.
[tr. Woodruff (1999)]

Because a man
Who is wise has self-control and gentleness of temper.
[tr. Gibbons/Segal (2000)]

It is a wise man's part to practice gentleness and self-control.
[tr. Kovacs (2002)]

He who would be wise will keep his self-control.
[tr. Teevan (2002)]

That is how wise people work, calmly.
[tr. Theodoridis (2005)]

A wise man is able to hold his good-nature well tempered.
[tr. Valerie (2005)]

After all, a wise man ought to keep his temper.
[tr. Johnston (2008)]

He should learn from me the ways of self-control.
[tr. Robertson (2014)]

Keep calm and carry on, as the wisest say.
[tr. Pauly (2019)]

The wise man has a reasonable temper.
[tr. Behr/Foster (2019)]

A sophos man must practice good temper that is moderate [sōphrōn].
[tr. Buckley/Sens/Nagy (2020)]

 
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There is virtually no opinion an individual can hold that is so outlandish that he will not find other believers on the Web.

Elizabeth Kolbert (b. 1961) American journalist and author
“The Things People Say,” The New Yorker (2009-11-02)
    (Source)
 
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LEAR: Ingratitude, thou marble-hearted fiend,
More hideous, when thou show’st thee in a child
Than the sea-monster!

Shakespeare
William Shakespeare (1564-1616) English dramatist and poet
King Lear, Act 1, sc. 4, l. 270ff (1.4.270-272) (1606)
    (Source)
 
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The aim of every artist is to arrest motion, which is life, by artificial means and hold it fixed so that a hundred years later, when a stranger looks at it, it moves again since it is life. Since man is mortal, the only immortality possible for him is to leave something behind him that is immortal since it will always move. This is the artist’s way of scribbling “Kilroy was here” on the wall of the final and irrevocable oblivion through which he must someday pass.

William Faulkner (1897-1962) American novelist
“The Art of Fiction,” Interview by Jean Stein, Paris Review #12 (Spring 1956)
    (Source)
 
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The malevolent at times commit good actions, as though they wanted to see whether in fact they afford as much pleasure as good people pretend.

[Les méchans font quelquefois de bonnes actions. On dirait qu’ils veulent voir s’il est vrai que cela fasse autant de plaisir que le prétendent les honnêtes gens.]

Nicolas Chamfort
Nicolas Chamfort (1741-1794) French writer, epigrammist (b. Nicolas-Sébastien Roch)
Products of Perfected Civilization [Produits de la Civilisation Perfectionée], Part 1 “Maxims and Thoughts [Maximes et Pensées],” ch. 2, ¶ 122 (1795) [tr. Merwin (1969)]
    (Source)

(Source (French)). Alternate translations:

Wicked people sometimes perform good actions. I suppose they wish to see if this gives as great a feeling of pleasure as the virtuous claim for it.
[tr. Mathers (1926)]

The wicked sometimes perform good actions. One might say they wish to see whether it is true that they engender as much pleasure as respectable folk maintain they do.
[tr. Pearson (1973)]

 
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If one burdens the future with one’s worries, it cannot grow organically. I am filled with confidence, not that I shall succeed in worldly things, but that even when things go badly for me I shall still find life good and worth living.

Etty Hillesum
Esther "Etty" Hillesum (1914-1943) Dutch Jewish law graduate, writer, diarist
Diary (1942-06-11)
    (Source)

Collected in An Interrupted Life [Het Verstoorde Leven] (1981) [tr. Pomerans (1983)].
 
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Wonder Woman intro
Splash page of All Star Comics #8 (Dec/Jan 1941/42)
At last, in a world torn by the hatred and wars of men, appears a woman to whom the problems and feats of men are mere child’s play — a woman whose identity is known to none, but whose sensational feats are outstanding in a fast-moving world! With a hundred times the agility and strength of our best male athletes and strongest wrestlers, she appears as though from nowhere to avenge an injustice or right a wrong! As lovely as Aphrodite — as wise as Athena — with the speed of Mercury and the strength of Hercules — she is known only as Wonder Woman, but who she is, or whence she came, nobody knows!

William Moulton Marston
William Moulton Marston (1893-1947) American psychologist, writer [pen name Charles Moulton]
“Introducing Wonder Woman,” All Star Comics #8 (25 Oct 1941) [with artist Harry G. Peter]

First appearance of the comic book character Wonder Woman.
 
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Take counsel in wine, but resolve afterwards in water.

Benjamin Franklin (1706-1790) American statesman, scientist, philosopher, aphorist
Poor Richard (1733)
    (Source)
 
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A sparkling house is a fine thing if the children aren’t robbed of their luster in keeping it that way.

No picture available
Marcelene Cox (1900-1998) American writer, columnist, aphorist
“Ask Any Woman” column, Ladies’ Home Journal (1945-11)
    (Source)
 
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Dead’s not good, but at least it’s simple.

No picture available
James S. A. Corey (contemp.) American writer [pen name of Daniel Abraham and Ty Franck]
Cibola Burn, ch. 2 (2014)
    (Source)
 
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If you put together all the ingredients that naturally attract children — sex, violence, revenge, spectacle and vigorous noise — what you have is grand opera.

Judith Martin (b. 1938) American author, journalist, etiquette expert [a.k.a. Miss Manners]
Miss Manners’ Guide to Excruciatingly Correct Behavior, Part 9 “Advanced Civilization,” “Play” (1983)
    (Source)
 
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History, like perspective, needs distance. Facts that are too abundantly attested cease, in some degree, to be malleable.

[L’histoire a besoin de lointain, comme la perspective. Les faits et les événements trop attestés ont, en quelque sorte, cessé d’être malléables.]

Joseph Joubert (1754-1824) French moralist, philosopher, essayist, poet
Pensées [Thoughts], ch. 23 “Des Qualités de l’Écrivain et des Compositions Littéraires [On Writers and Literature],” ¶ 119 (1850 ed.) [tr. Lyttelton (1899), ch. 22, ¶ 52]
    (Source)

(Source (French)). Alternate translations:

History needs distance, perspective. Facts and events which are too well attested, cease, in some sort, to be malleable.
[tr. Attwell (1896), ¶ 356]

History, like perspective, has need of distance.
[tr. Auster (1983), 1801]

 
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For when the faculty of intellect
is joined with brute force and with evil will,
no man can win against such an alliance.

[Ché dove l’argomento de la mente
s’aggiugne al mal volere e a la possa,
nessun riparo vi può far la gente.]

Dante Alighieri the poet
Dante Alighieri (1265-1321) Italian poet
The Divine Comedy [Divina Commedia], Book 1 “Inferno,” Canto 31, l. 55ff (31.55) (1309) [tr. Musa (1971)]
    (Source)

Why Nature no longer allows human-like giants, while still producing whales and elephants.

(Source (Italian)). Alternate translations:

For where the mind to bad Intention's join'd,
And with a Pow'r what's ill design'd to act,
None can himself from such a force defend.
[tr. Rogers (1782), l. 49ff]

But not the forest tribes, nor finny race,
With equal rage their native walks deface,
As he whose deadly arm by Reason's light
Directed falls, and mocks the warding hand;
Conspiring realms in vain his pow'r withstand,
In vain embattled hosts defend their right.
[tr. Boyd (1802), st. 9]

For when brute force
And evil will are back’d with subtlety,
Resistance none avails.
[tr. Cary (1814)]

For discourse of mind,
Wedded with power and inbred lust of wrong,
Had left nor help nor rescue for mankind.
[tr. Dayman (1843)]

For where [the instrument] of [the] mind is joined to evil will and potency, men can make no defence against it.
[tr. Carlyle (1849)]

For when a reasoning and a subtle mind
Is joined, besides, to evil will and power,
Who can resist? -- for all defence must cower.
[tr. Bannerman (1850)]

For when the reasoning faculty combines
With evil will and with destructive pow'r,
Then there remains no more defence for man.
[tr. Johnston (1867)]

For where the argument of intellect ⁠
⁠Is added unto evil will and power,
⁠No rampart can the people make against it.
[tr. Longfellow (1867)]

For where the equipment of the mind is joined to illwill and to power, folk can make no rampart against it.
[tr. Butler (1885)]

For where the assistance of the intellect
Is added unto evil will and power,
'Gainst it no refuge could mankind erect.
[tr. Minchin (1885)]

For where the faculty of the mind is added to evil will and to power, the human race can make no defense against it.
[tr. Norton (1892)]

For where the force of intellect is joined to evil will, and power to do such will, mankind is helpless to find resource against it.
[tr. Sullivan (1893)]

For, where the equipment and the use of reason
Are joined to ill intent and power of action,
No sort of refuge can folk make against it.
[tr. Griffith (1908)]

For where the equipment of the mind is joined to evil will and to power men can make no defence against it.
[tr. Sinclair (1939)]

For if with the mind's instrument unite
Power and an evil purpose both at once,
Men have no means against such force to fight.
[tr. Binyon (1943)]

For where the instrument of thinking mind
Is joined to strength and malice, man’s defence
Cannot avail to meet those powers combined.
[tr. Sayers (1949)]

For where the instrument of intelligence
is added to brute power and evil will,
mankind is powerless in its own defense.
[tr. Ciardi (1954)]

For where the instrument of the mind is added to an evil will and to great power, men can make no defense against it.
[tr. Singleton (1970)]

For where the mind’s acutest reasoning
is joined to evil will and evil power,
there human beings can’t defend themselves.
[tr. Mandelbaum (1980)]

For, where the argument of reason is
Joined with an evil will and potency,
There is no possible defence for man.
[tr. Sisson (1981)]

The power of the mind, along with that
Of immense strength, upon an evil will
Then people will have no defense from it.
[tr. Pinsky (1994), l. 52ff]

For where sharpness of mind is joined to evil will and power, there is no defence people can make against them.
[tr. Durling (1996)]

Where the instrument of mind is joined to ill will and power, men have no defence against it.
[tr. Kline (2002)]

For when the powers of working intellect
are wed to strength and absolute illwill,
then humans cannot find a place to hide.
[tr. Kirkpatrick (2006)]

For when the power of thought
is coupled with ill will and naked force
there is no refuge from it for mankind.
[tr. Hollander/Hollander (2007)]

For when the thinking powers of human brains
Are tools of malicious will and enormous strength,
Smaller creatures like men have no defense.
[tr. Raffel (2010)]

For only when ill will and massive strength
Are joined with mental power does it arise
That the invincible is born.
[tr. James (2013), l. 58ff]

 
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Writing is more than anything a compulsion, like some people wash their hands thirty times a day for fear of awful consequences if they do not. It pays a whole lot better than this type of compulsion, but it is no more heroic.

Julie Burchill
Julie Burchill (b. 1959) English novelist, columnist, broadcaster
Sex & Sensibility, Introduction (1992)
    (Source)
 
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After a hard night of it two old friends fell into a sleepy conversation in the steam-room of a Turkish bath.
“My wife loves me so much,” said one, “that she’ll believe me when I tell her I was kept downtown all night by business.”
“My wife loves me so much,” said the other, “that I won’t be afraid to tell her the truth.”

H. L. Mencken (1880-1956) American writer and journalist [Henry Lewis Mencken]
A Little Book in C Major, ch. 1, § 10 (1916)
    (Source)
 
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There ain’t nobody on earth, I don’t care how smart they are, ever going to make me believe they will ever stop wars.

Will Rogers (1879-1935) American humorist
“Weekly Article” column (1923-07-22)
    (Source)
 
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Nobody knows the trouble we’ve seen — but we keep trying to tell them.

Mignon McLaughlin (1913-1983) American journalist and author
The Second Neurotic’s Notebook, ch. 4 (1966)
    (Source)
 
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With just enough of learning to misquote.

Lord Byron
George Gordon, Lord Byron (1788-1824) English poet
“English Bards and Scotch Reviewers,” l. 66ff (1809)
    (Source)
 
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A real education takes place, not in the lecture hall or library, but in the rooms of friends, with earnest frolic and happy disputation. Wine can be a wiser teacher than ink, and banter is often better than books. That was my theory at least, and I was living by it.

Stephen Fry
Stephen Fry (b. 1957) British actor, writer, comedian
The Fry Chronicles: An Autobiography, Part 1 “College to Colleague” (2012)
    (Source)
 
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So strong is custom formed in early years.

[Adeo in teneris consuescere multum est.]

Virgil the Poet
Virgil (70-19 BC) Roman poet [b. Publius Vergilius Maro; also Vergil]
Georgics [Georgica], Book 2, l. 272ff (2.272) (29 BC) [tr. Greenough (1900)]
    (Source)

Discussing how, when transplanting vines, wise farmers try to match the soil and orientation of the plant toward the sun to the conditions where they first sprouted. The same phrase is often extended (when extracted like this) to the lasting effects of early training on children. See also Pope.

(Source (Latin)). Alternate translations:

Such strength hath custome in each tender soule.
[tr. Ogilby (1649)]

So strong is Custom; such Effects can Use
In tender Souls of pliant Plants produce.
[tr. Dryden (1709), ll. 366-367]

So strong is habit's force in tender age.
[tr. Nevile (1767), l. 302]

So custom strongly sways the youthful year.
[tr. Sotheby (1800)]

Of such avail is custom in tender years.
[tr. Davidson (1854)]

So custom lords it o'er the youthful wood.
[tr. Blackmore (1871), l. 324]

Such is the force of habits formed in early years.
[tr. Wilkins (1873)]

So strong is custom formed in early years.
[tr. Rhoades (1881)]

So powerful is habit in things of tender age.
[tr. Bryce (1897)]

So strong is the habit of infancy.
[tr. Mackail (1899)]

So potent is early habit's control.
[tr. Way (1912)]

So loth to change
Are a young creature's ways.
[tr. Williams (1915)]

So strong is habit in tender years.
[tr. Fairclough (Loeb) (1916)]

So important are habits developed in early days.
[tr. Day-Lewis (1940)]

For habit dominates the early stage.
[tr. Bovie (1956)]

So much effect has habit on the young.
[tr. Wilkinson (1982)]

We grow accustomed to so much in tender years.
[tr. Kline (2001)]

How powerful the innate habits of tender plants!
[tr. Lembke (2004)]

So powerfully runs habit in the tender stems.
[tr. Johnson (2009)]

Such is the need, when young, of what's familiar.
[tr. Ferry (2015)]

 
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Plato said that virtue has no master. If a person does not honor this principle and rejoice in it, but is purchasable for money, he creates many masters for himself.

Apollonius of Tyana
Apollonius of Tyana (c. AD 15-100) Greek philosopher and religious leader [Ἀπολλώνιος]
Letters from Apollonius of Tyana, ep. 15, Letter to Euphrates [tr. Jones (2006)]
    (Source)

The reference to Plato's Republic, X 617 E.
 
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Every time you get a censor, you get a fool, and worse yet a knave, pretending to be a guardian of morality, while acting as a guardian of class greed.

Upton Sinclair (1878-1968) American writer, journalist, activist, politician
Money Writes!, ch. 22 “The Bookleggers” (1927)
    (Source)

Self-quoted in "Poor Me and Pure Boston," The Nation (1927-06-29)
 
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One of the defining features of the Anthropocene is that the world is changing in ways that compel species to move, and another is that it’s changing in ways that create barriers — roads, clear-cuts, cities — that prevent them from doing so.

Elizabeth Kolbert (b. 1961) American journalist and author
The Sixth Extinction: An Unnatural History, ch. 9 “Islands on Dry Land” (2014)
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More quotes by Kolbert, Elizabeth

If I had lived in that wild early world
When each day saw new monstrosities,
I would have fawned upon a giantess, curled
Voluptuous as a cat around her knees.

[Du temps que la Nature en sa verve puissante
Concevait chaque jour des enfants monstrueux,
J’eusse aimé vivre auprès d’une jeune géante,
Comme aux pieds d’une reine un chat voluptueux.]

Charles Baudelaire
Charles Baudelaire (1821-1867) French poet, essayist, art critic
Les Fleurs du Mal [The Flowers of Evil], # 19 “La Géante [The Giantess],” st. 1 (1857) [tr. Lerner (1999)]
    (Source)

Also in in the 1861 ed. (# 19) and 1868 (# 20). (Source (French)). Alternate translations:

When Nature in her lavish lustiness
Bred day by day new, strange monstrosities,
Would I had lived with a young giantess
Like a warm cat who at a queen's feet lies.
[tr. Squire (1909)]

I should have loved -- erewhile when Heaven conceived
Each day, some child abnormal and obscene,
Beside a maiden giantess to have lived,
Like a luxurious cat at the feet of a queen
[tr. Scott (1909)]

From the time when Nature in her furious fancy
Conceived each day monstrosities obscene,
I had loved to live near a young Giantess of Necromancy,
Like a voluptuous cat before the knees of a Queen.
[tr. Symons (1913)]

In times of old when Nature in her glad excess
Brought forth such living marvels as no more are seen,
I should have loved to dwell with a young giantess,
Like a voluptuous cat about the feet of a queen.
[tr. Dillon (1936)]

When Nature once in lustful hot undress
Conceived gargantuan offspring, then would I
Have loved to live near a young giantess,
Like a voluptuous cat at a queen's feet.
[tr. Shapiro (1942)]

Of old when Nature, in her verve defiant,
Conceived each day some birth of monstrous mien,
I would have lived near some young female giant
Like a voluptuous cat beside a queen,
[tr. Campbell (1952)]

At the time when Nature with a lusty spirit
Was conceiving monstrous children each day,
I should have liked to live near a young giantess,
Like a voluptuous cat at the feet of a queen.
[tr. Aggeler (1954)]

In times when Nature, lusty to excess,
Bred monstrous children, would that I had been
Living beside a youthful giantess,
Like a voluptuous cat beside a queen
[tr. LeClercq (1958)]

In those times when Nature in powerful zest
Conceived each day monstrous children,
I would have loved to live near a young giantess,
A voluptuous cat at the feet of a queen.
[tr. Wagner (1974)]

Had I been there when primal Nature teemed
with monstrous progeny, I would have tried
to live beside some mammoth girl, the way
a cat will sprawl at the feet of a queen
[tr. Howard (1982)]

In olden days when Nature in her lusty exuberance daily conceived monstrous offspring, I would gladly have lived beside some youthful giantess, like a voluptuous cat at the feet of a queen.
[tr. Scarfe (1986)]

In times when madcap Nature in her verve
conceived each day a hatch of monstrous spawn,
I might have lived near some young giantess,
Like a voluptuous cat before a queen.
[tr. McGowan (1993)]

In the days when Nature, in her playful power,
conceived every day some new, monstrous children,
I should have liked to live with a young giantess,
like a voluptuous cat at the feet of a queen.
[tr. Clark (1995)]

Back when Nature in her zestful sway daily brought forth child monsters, I would like to have lived with a young giantess, like a voluptuous cat at the queen's feet.
[tr. Waldrop (2006)]

In those days when Nature's overwhelming Lust
Engendered infant-monsters day by day
I'd love to have lived with a young giantess.
Like a lazy cat at the foot of my queen I'd lay.
[tr. Underhill]

 
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More quotes by Baudelaire, Charles

GLOUCESTER: These late eclipses in the sun and moon portend no good to us. Though the wisdom of nature can reason it thus and thus, yet nature finds itself scourged by the sequent effects. Love cools, friendship falls off, brothers divide; in cities, mutinies; in countries, discord; in palaces, treason; and the bond cracked ’twixt son and father. This villain of mine comes under the prediction: there’s son against father. The King falls from bias of nature: there’s father against child. We have seen the best of our time. Machinations, hollowness, treachery, and all ruinous disorders follow us disquietly to our graves.

Shakespeare
William Shakespeare (1564-1616) English dramatist and poet
King Lear, Act 1, sc. 2, l. 109ff (1.2.109-121) (1606)
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More quotes by Shakespeare, William

One of the saddest things is that the only thing that a man can do for eight hours a day, day after day, is work. You can’t eat eight hours a day nor drink for eight hours a day nor make love for eight hours — all you can do for eight hours is work. Which is the reason why man makes himself and everybody else so miserable and unhappy.

William Faulkner (1897-1962) American novelist
“The Art of Fiction,” Interview by Jean Stein, Paris Review #12 (Spring 1956)
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More quotes by Faulkner, William

Were a historian like Tacitus to write a history of the best of our kings, giving an exact account of all the tyrannical acts and abuses of authority, the majority of which lie buried in the profoundest obscurity, there would be few reigns which would not inspire us with the same horror as that of Tiberius.

[Si un historien, tel que Tacite, eût écrit l’histoire de nos meilleurs rois, en faisant un relevé exact de tous les actes tyranniques, de tous les abus d’autorité, dont la plupart sont ensevelis dans l’obscurité la plus profonde, il y a peu de règnes qui ne nous inspirassent la même horreur que celui de Tibère.]

Nicolas Chamfort
Nicolas Chamfort (1741-1794) French writer, epigrammist (b. Nicolas-Sébastien Roch)
Products of Perfected Civilization [Produits de la Civilisation Perfectionée], Part 1 “Maxims and Thoughts [Maximes et Pensées],” ch. 8, ¶ 482 (1795) [tr. Hutchinson (1902)]
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(Source (French)). Alternate translations:

If such an historian as Tacitus had written the chronicle of our nobler kings, making an exact statement of all those tyrannical actions and abuses of authority which are now for the most part buried in deep darkness, few of their reigns would inspire less horror than that of Tiberius.
[tr. Mathers (1926)]

If a historian such as Tacitus had written the histories of our best kings, with precise accounts of their tyrannical actions, and all their abuses of authority, most of which have been buried in the deepest obscurity, there are few reigns that would not arouse in us the same horror as that of Tiberius.
[tr. Merwin (1969)]

If a chronicler such as Tacitus had written the history of our best kings, preparing an exact amount of all tyrannical acts, of all the abuses of authority, of which the majority are concealed by fathomless obscurity, there would be few reigns which would [not?] inspire us with the same horror as that of Tiberius.
[tr. Pearson (1973)]

 
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More undertakings fail for want of spirit than for want of sense. Confidence gives a fool the advantage over a wise man.

William Hazlitt (1778-1830) English writer
“On Manner,” The Round Table (1817)
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“Come on, lad,” he said. “Let’s go home. I’m not sure I’m that interested in music anymore. It’s a world of hertz.”

Terry Pratchett (1948-2015) English author
Soul Music [Ridcully] (1994)
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You lead such matching, equal lives —
the worst of husband, worst of wives —
that it’s a mystery to me
why you aren’t suited perfectly.

[Cum sitis similes paresque vita,
Uxor pessima, pessimus maritus,
Miror, non bene convenire vobis.]

Marcus Valerius Martial
Martial (AD c.39-c.103) Spanish Roman poet, satirist, epigrammatist [Marcus Valerius Martialis]
Epigrams [Epigrammata], Book 8, epigram 35 (8.35) (AD 94) [tr. McLean (2014)]
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(Source (Latin)). Alternate translations:

When as you are so like in life,
A wicked husband, wicked wife,
I wonder you should live in strife.
[16th C Manuscript]

Sith that you both are like in life,
(a naughty man, an wicked wife:)
I muse ye live not voyd of strife.
[tr. Kendall (1577), "To a Married Couple, that could not Agree"]

Why doe your wife and you so ill agree,
Since you in manners so well matched be?
Thou brazen-fac'd, she impudently bould,
Thou still dost brawle, she evermoure doth scould.
Thou seldome sober art, she often drunk,
Thou a whore hunting knave, she a knowne Punck.
Both of you filch, both seare, and damme, and lie,
And both take pawnes, and Iewish usurie.
Not manners like make man and wife agree,
Their manners must both like and vertuous bee.
[tr. Davison (1602)]

Both man and wife as bad as bad can be:
I wonder they no better should agree.
[tr. Hay (1755)]

O peerless pair, so like in life,
O vilest husband, vilest wife!
No wonder ye agree -- in strife.
[tr. Elphinston (1782), "To a Married Pair," Book 6, Part 2, ep. 46]

Alike in temper and in life,
A drunken husband, sottish wife,
She a scold, a bully he, --
The devil's in 't they don't agree.
[tr. Hoadley (fl. 18th C), §243]

Since you are so well matched, and so much alike in your lives, a very bad wife, and a very bad husband, I wonder that you do not agree.
[tr. Bohn's Classical (1859), "To a Bad Couple"]

You are so like, so equal, in your life,
A husband of the worst, a worthless wife,
I really wonder why you don't agree.
[ed. Harbottle (1897)]

Seeing that you are like one another, and a pair in your habits, vilest of wives, vilest of husbands, I wonder you don't agree!
[tr. Ker (1919)]

It is very strange, as it seems to me,
That you and your wife should not agree,
Since each is as vile as vile can be.
[tr. Pott & Wright (1921), "Depth to Depth"]

Bad wife, bad husband, like as pea to pea,
I really wonder that you can't agree.
[tr. Francis & Tatum (1924), ep. 412]

Since you're alike and lead a matching life,
Horrible husband and ill-natured wife,
Why all the discord and domestic strife?
[tr. Michie (1972)]

Since the two of you are alike and equal in your way of life, a rotten wife and a rotten husband, I am surprised you don't suit one another.
[tr. Shackleton Bailey (1993)]

You're an awful couple,
but birds of a feather --
It's weird you don't
Get along together.
[tr. Ericsson (1995)]

How can your squabbling be so curst?
Of natural pairings yours is first --
Worst husband with a wife that's worst.
[tr. Wills (2007)]

Since you two are similar and equal in your way of life, being an awful wife and an awful husband, I’m surprised you don’t get along well with each other.
[tr. aleator classicus (2012)]

Since you both share the same approach to life
(a lousy husband and a lousy wife),
I am bewildered it
is not a better fit.
[tr. Juster (2016)]

 
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More quotes by Martial

Approaching eighty I sometimes see myself from a little distance, as a man I know, but not intimately.

John Updike (1932-2009) American writer
“The Full Glass,” The New Yorker (2008-05-19)
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Collected in My Father's Tears and Other Stories (2009).
 
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When I
Still wore my mother’s gift of flesh and bone,
My deeds were not the lion’s. I was sly,
A fox. All wiles and ways to slink alone
Unseen. I knew, and practiced hidden arts
So everywhere on Earth they were renowned.

[Mentre ch’io forma fui d’ossa e di polpe
che la madre mi diè, l’opere mie
non furon leonine, ma di volpe.
Li accorgimenti e le coperte vie
io seppi tutte, e sì menai lor arte,
ch’al fine de la terra il suono uscie.]

Dante Alighieri the poet
Dante Alighieri (1265-1321) Italian poet
The Divine Comedy [Divina Commedia], Book 1 “Inferno,” Canto 27, l. 73ff (27.73-78) [Montefeltro] (1309) [tr. James (2013), l. 82ff]
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(Source (Italian)). Alternate translations:

Whilst I was formed of the Bones and Flesh
Which me my Mother gave, whate'er I did
Partook not of the Lion, but of the Fox
All wariness, and covert ways so well
I knew, that my Art sounmded o'er the earth.
[tr. Rogers (1782), l. 71ff]

From earliest youth I shun'd the lion Law,
Contented, with the wily fox, to draw
The heedless foe within my fatal snare:
Fraud was my fame, and circumvention deep.
[tr. Boyd (1802), st. 13]

Long as this spirit mov’d the bones and pulp
My mother gave me, less my deeds bespake
The nature of the lion than the fox.
All ways of winding subtlety I knew,
And with such art conducted, that the sound
Reach’d the world’s limit.
[tr. Cary (1814)]

While I the shape in bones and flesh arrayed
Wore which my mother gave, the foxes style
More than the lion's all mine acts betrayed.
The covert ways -- the subtleties of guile --
I knew them all, and soon the world around
Rung with my fame, how versed in every wile.
[tr. Dayman (1843)]

While I was in the form of bones and pulp, which my mother gave me, my deeds were not those of the lion, but of the fox.
All wiles and covert ways I knew; and used the art of them so well, that to the ends of the earth the sound went forth.
[tr. Carlyle (1849)]

When of the bone and pulp my mother gave
I still was formed, the works I left behind
Were of the fox, not of the lion kind:
Contrivances, and all the hidden schemes,
I knew them well, could to their course attend
Until their sound reached to the world's end.
[tr. Bannerman (1850)]

So long as I was form'd of flesh and bone
My mother's gift to me, the work I did
Savour'd not of the line but the fox.
Foresight to win and ev'ry hidden way
I knew and practiced, and my craft so great
That to earth's boundaries the fame went forth.
[tr. Johnston (1867)]

While I was still the form of bone and pulp
⁠My mother gave to me, the deeds I did
⁠Were not those of a lion, but a fox.
The machinations and the covert ways
⁠I knew them all, and practised so their craft,
⁠That to the ends of earth the sound went forth.
[tr. Longfellow (1867)]

While that I was a shape of bones and flesh which my mother gave me, my works were not lion-like, but of a fox. Cunning things and hidden ways I knew them all; and so I wielded the arts of them that the sound went forth to the end of the earth.
[tr. Butler (1885)]

Whilst made of bone and flesh that form was mine
The which my mother gave me, every deed
Of mine was fox-like and not leonine.
The wary wiles and hidden ways at need
I studied all and practised so the art
That to the earth's confines the fame did speed.
[tr. Minchin (1885)]

While I was that form of bone and flesh that my mother gave me, my works were not leonine, but of the fox. The wily practices, and the covert ways, I knew them all, and I so plied their art that to the earth’s end the sound went forth.
[tr. Norton (1892)]

Whilst I was still a form of flesh and bone, the which my mother gave me, my deeds were not those of the lion, but of the fox. Wiles and secret ways, I knew them all; and to such purpose plied their arts, that it was noised abroad even to the earth's end.
[tr. Sullivan (1893)]

While I was still the form of bone and tissue
Of which my mother made me gift, my doings.
Were worthy of the fox, not of the lion.
Sapping and mining and intelligencing,
I knew them all, and so their craft had practised
That to the ends of earth the sound had issued.
[tr. Griffith (1908)]

While I informed the bones and flesh my mother gave me my deeds were those, not of the line, but of the fox; I knew all wiles and covert ways and so practiced their that their sound went forth to the end of the world.
[tr. Sinclair (1939)]

Whilst I was bones and pulp and in the mould
My mother made for me, my deeds were those
Of the sly fox, not of the lion bold.
All cunning stratagems and words that gloze
I knew, and mastered the uses of deceit
So that to earth's end rumour of it goes.
[tr. Binyon (1943)]

While I was still that shape of bone and flesh
In which my mother moulded me at birth
My deeds were foxy and not lionish;
I knew each winding way, each covert earth.
And used such art and cunning in deceit
That to the ends of the world the sound went forth.
[tr. Sayers (1949)]

While I was still encased
in the pulp and bone my mother bore, my deeds
were not of the lion but of the fox: I raced
through tangled ways; all wiles were mine from birth
and I won to such advantage with my arts
that rumor of me reached the ends of the earth.
[tr. Ciardi (1954)]

While I was the form of the flesh and bones my mother gave me, my deeds were not those of the lion, but of the fox. I knew all wiles and covert ways, and plied the art of them so well that to the ends of the earth their sound went forth.
[tr. Singleton (1970)]

While I still had the form of the bones and flesh
my mother gave me, all my actions were
not those of a lion, but those of a fox;
the wiles and covert paths, I knew them all,
and so employed my art that rumor of me
spread to the farthest limits of the earth.
[tr. Musa (1971)]

While I still had the form of bones and flesh
my mother gave to me, my deeds were not
those of the lion but those of the fox.
The wiles and secret ways -- I knew them all
and so employed their arts that my renown
had reached the very boundaries of earth.
[tr. Mandelbaum (1980)]

When I was still formed of the flesh and bone
My mother gave me, all that I achieved
Was done less by the lion than the fox.
The subtle ways of acting under cover,
I knew them all, and used all these devices
So well, that I was famous everywhere.
[tr. Sisson (1981)]

In the flesh and bones my mother gave me, were those
Of the fox, not the lion. I was expert
In all the stratagems and covert ways,
And practiced them with so much cunning art
The sound extended to the earth's far end.
[tr. Pinsky (1994)]

While I was the form of bone and flesh that my mother gave me, my works were not those of a lion but a fox.
The tricks and the hidden ways, I knew them all, and I so plied their art that the fame of it went out to the ends of the earth.
[tr. Durling (1996)]

While I was in the form of bones and pulp, that my mother gave me, my actions were not those of the lion, but of the fox. I knew all the tricks and coverts, and employed the art of them so well, that the noise went out to the ends of the earth.
[tr. Kline (2002)]

While still I had the form of pulp and bone
my mother gave me, never lion-like
was I, but travelled like the fox alone.
I was a crafty and wily tyke,
and knew the tricky ways of men so well
my fame resounded over dale and dike.
[tr. Carson (2002)]

While I was still, in form, such pulp and bone
as, first, my mother gave to me, actions
of mine all favoured rather fox than lion.
Stratagems, wiles and covert operations --
I knew them all. These arts I so pursued
that word of me rang out throughout the world.
[tr. Kirkpatrick (2006)]

While I still kept the form in flesh and bones
my mother gave me, my deeds were not
a lion's but the actions of a fox.
Cunning stratagems and covert schemes,
I knew them all, and was so skilled in them
my fame rang out to the far confines of the earth.
[tr. Hollander/Hollander (2007)]

When I was a form of flesh and bone, as my mother
Made me, I neither lived nor acted as lions
Do: the beast I most resembled was a fox.
I knew the tricks and escapes, the secret ways
I knew them all, and I lived the way they led me,
My reputation echoed all over the earth.
[tr. Raffel (2010)]

 
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More quotes by Dante Alighieri

Conversation is like a dear little baby that is brought in to be handed around. You must rock it, nurse it, keep it on the move if you want to keep smiling.

Katherine Mansfield (1888-1923) New Zealander writer, poet [pen name of Kathleen Mansfield Murry (née Beauchamp)]
“The Dove’s Nest” (1923)
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The course of a man’s life is certain. The path that we follow goes in only one direction. Every mile is distinctly marked with its own peculiar characteristic — the vulnerability of infants, the animal high spirits of adolescents, the seriousness of adults, the maturity of old men — and at each of these stages we must accept gracefully what Nature grants us.

[Cursus est certus aetatis et una via naturae eaque simplex, suaque cuique parti aetatis tempestivitas est data, ut et infirmitas puerorum et ferocitas iuvenum et gravitas iam constantis aetatis et senectutis maturitas naturale quiddam habet, quod suo tempore percipi debeat.]

Marcus Tullius Cicero (106-43 BC) Roman orator, statesman, philosopher
De Senectute [Cato Maior; On Old Age], ch. 10 / sec. 33 (10.33) (44 BC) [tr. Cobbold (2012)]
    (Source)

(Source (Latin)). Alternate translations:

The cours and the weye of age is certeyne and determyned by nature, whiche hathe onely awey which is symple & is nothyng different more in the one than in the othir. But each go by that symple and determyned wey aftir the degrees in their cours from the one age in to that other. And yet nature had given to every part of age his owne propre season and tyme, and hir pertynent cours of usage in kynde. That is to witt, that sekenesse and maladye is appropryd to the age of puerice in childhode, & cruelte is appropryd to the age of yongth, worshipfulnesse and sadnesse of maners be appropryd to the age of virilite whiche is the fyfthe age. Moderaunce and temperaunce be appropryd to olde age. Eueriche oweth to have sumwhat naturelly and appropryd unto that whiche may be gadird in his tyme.
[tr. Worcester/Worcester/Scrope (1481), Part 3]

The race and course of age is certain; and there is but one way of nature and the same simple; and to every part of a man's life and age are given his convenient times and proper tempestivities. For even as weakness and infirmity is incident to young children, lustiness and bravery to young men, and gravity when they come to ripe years; so, likewise the maturity or ripeness of old age have a certain special gift given and attributed to it by nature, which ought not to be neglected, but to be taken in his own time and season when it cometh.
[tr. Newton (1569)]

There is but one course of age, and one way of nature, and the same simple, and to every part of age its own timelines is given; for as infirmity belongs to child-hood, fiercenesse to youth, and gravity to age, so the true ripenesse of age hath a certaine natural gravity in it, which ought to be used in it own time.
[tr. Austin (1648)]

Simple, and certain Nature's wayes appear,
As she sets forth the seasons of the year.
So in all parts of life we find her truth,
Weakness to childhood, rashness to our youth:
To elder years to be discreet and grave,
Then to old age maturity she gave.
[tr. Denham (1669)]

Every Age has something in it, peculiar to it self: as Weakness to our Infancy, an unguided Warmth to Youth, Seriousness to Manhood, and a certain Maturity of Judgment to Old Age, which we may expect to reap the Fruits of, when advanced to it.
[tr. Hemming (1716)]

Life has a sure Course, and Nature but one Way, that that too simple and plain. And to every Part of Man's Age a peculiar Propriety of Temper is given: Thus Weakness in Children, a Boldness in Youth, and a Gravity in Manhood appears; and a full Ripeness of Years has always something which seems natural to it, and which ought to be made use of at a proper Time.
[tr. J. D. (1744)]

The Stages of Life are fixed; Nature is the same in all, and goes on in a plain and steady Course: Every Part of Life, like the Year, has its peculiar Season: As Children are by Nature weak, Youth is rash and bold; staid Manhood more solid and grave; and so Old-Age in its Maturity, has something natural to itself, that ought particularly to recommend it.
[tr. Logan (1750)]

Nature conducts us, by a regular and insensible progression through the different seasons of human life; to each of which she has annexed its proper and distinguishing characteristic. As imbecility is the attribute of infancy, ardour of youth, and gravity of manhood; so declining age has its essential properties, which gradually disclose themselves as years increase.
[tr. Melmoth (1773)]

The course of life is fixed, and the path of nature is one, and that simple. And its own proper seasonableness has been given to each division of life; so that both the feebleness of boys and the proud spirit of young men, and the gravity of a now settle period of life, and the maturity of old age, has something natural to it, which ought to be gathered in its own season.
[Cornish Bros. ed. (1847)]

There is a definite career in life, and one way of nature, and that a simple one; and to every part ot life its own peculiar period has been assigned: so that both the feebleness of boys, and the high spirit of young men, and the steadiness of now fixed manhood, and the maturity of old age, have something natural, which ought to be enjoyed in their own time.
[tr. Edmonds (1874)]

Life has its fixed course, and nature one unvarying way; each age has assigned to it what best suits it, so that the fickleness of boyhood, the sanguine temper of youth, the soberness of riper years, and the maturity of old age, equally have something in harmony with nature, which ought to be made availing in its season.
[tr. Peabody (1884)]

The course of life is fixed, and nature admits of its being run but in one way, and only once; and to each part of our life there is something specially seasonable; so that the feebleness of children, as well as the high spirit of youth, the soberness of maturer years, and the ripe wisdom of old age -- all have a certain natural advantage which should be secured in its proper season.
[tr. Shuckburgh (1895)]

One only way
Nature pursues, and that a simple one:
To each is given what is fit for him.
The boy is weak: youth is more full of fire:
Increasing years have more of soberness:
And as in age there is a ripeness too.
Each should be garnered at its proper time,
And made the most of.
[tr. Allison (1916)]

Life's race-course is fixed; Nature has only a single path and that path is run but once, and to each stage of existence has been allotted its own appropriate quality; so that the weakness of childhood, the impetuosity of youth, the seriousness of middle life, the maturity of old age -- each bears some of Nature's fruit, which must be garnered in its own season.
[tr. Falconer (1923)]

The course of life is clear to see; nature has only one path, and it has no turnings. Each season of life has an advantage peculiarly its own; the innocence of children, the hot blood of youth, the gravity of the prime of life, and the mellowness of age all possess advantages that are theirs by nature, and that should be garnered each at its proper time.
[tr. Copley (1967)]

Life and nature have but one direction
Easy to take, without correction.
Each of life’s rite of passage dates
Has its own distinguishing traits:
A child’s weakness
A youth’s boldness
An adult’s authority
An old man’s maturity
And each with a certain natural zest
To be reaped when it’s time for its harvest.
[tr. Bozzi (2015)]

The course of life cannot change. Nature has but a single path and you travel it only once. Each stage of life has its own appropriate qualities -- weakness in childhood, boldness in youth, seriousness in middle age, and maturity in old age. These are fruits that must be harvested in due season.
[tr. Freeman (2016)]

 
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More quotes by Cicero, Marcus Tullius

Laughter is poison to fear.

George R R Martin
George R. R. Martin (b. 1948) American author and screenwriter [George Raymond Richard Martin]
A Game of Thrones, “Catelyn” 8 [Catelyn Stark] (1996)
    (Source)
 
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I think the best insurance in the world against another war is to take care of the boys who fought in the last one. YOU MAY WANT TO USE THEM AGAIN.

Will Rogers (1879-1935) American humorist
“Weekly Article” column (1923-12-30)
    (Source)
 
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Other people’s truth may comfort us, but only your own persuades us.

Mignon McLaughlin (1913-1983) American journalist and author
The Second Neurotic’s Notebook, ch. 4 (1966)
    (Source)
 
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For Freedom’s battle once begun,
Bequeathed by bleeding Sire to Son,
Though baffled oft is ever won.

Lord Byron
George Gordon, Lord Byron (1788-1824) English poet
“The Giaour,” l. 213ff (1813)
    (Source)
 
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If you make money your god, it will plague you like the devil.

(Other Authors and Sources)
English proverb

Sometimes "'twill plague you".

An anonymous proverb, recorded in Thomas Fielding, ed., Select Proverbs of All Nations (1824). Thomas Fielding was the pseudonym of John Wade (1788-1875), a British journalist and author.

Though Fielding was only a compiler of proverbs and aphorisms, the quotation then shows up in a variety of collections later in the 19th Century actually cited to "Fielding," e.g., H. Southgate, ed., Many Thoughts of Many Minds (1862); John Camden Hotten, ed. The Golden Treasury of Thought (1873); Edward Parsons Day, ed., Day's Collacon: an Encyclopaedia of Prose Quotations (1884).

In relatively short order, this "Fielding" then became conflated with the more famous English writer Henry Fielding (1707-1754), to whom this quotation is often credited.
 
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It is easier not to speak a word at all, than not to speak more words than we should.

[Facilius est enim tacere quam in verbo non excedere.]

Thomas von Kempen
Thomas à Kempis (c. 1380-1471) German-Dutch priest, author
The Imitation of Christ [De Imitatione Christi], Book 1, ch. 20, v. 2 (1.20.2) (c. 1418-27) [ed. Parker (1841)]
    (Source)

(Source (Latin)). Alternate translations:

For it is not so hard to keep always silence, as it is not to exceed in words when we speak much.
[tr. Whitford/Raynal (1530/1871)]

For it is not so hard always to keep silence as it is not to exceed in words when we speak much.
[tr. Whitford/Gardiner (1530/1955)]

It is easier not to speak a word at all, then not to speake more words then we should.
[tr. Page (1639), 1.20.6]

'Tis certainly much easier for a Man to restrain himself from Talking at all, than to enter into Discourse, and not say more than becomes him.
[tr. Stanhope (1696; 1706 ed.)]

For it is much easier to be wholly silent, than not to exceed in word.
[tr. Payne (1803), 1.20.3]

It is much easier to be wholly silent, than not to exceed in talk.
[tr. Dibdin (1851)]

It is easier to be altogether silent, than not to go to excess in speaking.
[ed. Bagster (1860)]

For it is easier to be altogether silent than it is not to exceed in word.
[tr. Benham (1874)]

It is easier not to speak at all, than not to exceed in speech.
[tr. Anon. (1901)]

It is easier to be silent altogether than not to speak too much.
[tr. Croft/Bolton (1940)]

It is easier to be quite silent than not to say a word too much.
[tr. Daplyn (1952)]

It is easier to keep silence altogether than not to talk more than we should.
[tr. Sherley-Price (1952)]

Easier to keep your mouth shut than to talk without saying too much.
[tr. Knox-Oakley (1959)]

It is easier to keep quiet altogether than not to say a word too much.
[tr. Knott (1962)]

To remain entirely silent is easier than not to talk too much.
[tr. Rooney (1979)]

It is easier to be completely silent than not to be long-winded.
[tr. Creasy (1989)]

 
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The poor have little, beggars none, the rich too much, enough not one.

Franklin - The poor have little, Beggars none, The rich too much, Enough, none - wist.info quote

Benjamin Franklin (1706-1790) American statesman, scientist, philosopher, aphorist
Poor Richard (1733)
    (Source)

Repeated in Poor Richards (1740).
 
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It is all right to say exactly what you think if you have learned to think exactly.

No picture available
Marcelene Cox (1900-1998) American writer, columnist, aphorist
“Ask Any Woman” column, Ladies’ Home Journal (1945-11)
    (Source)

Cox provided a variant of this aphorism in the 1959-01 issue of LHJ: "Anyone has the right to say what he thinks, if he thinks."
 
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Death is like thunder in two particulars; we are alarmed at the sound of it; and it is formidable only from that which preceded it.

Charles Caleb "C. C." Colton (1780-1832) English cleric, writer, aphorist
Lacon: Or, Many Things in Few Words, Vol. 2, § 110 (1822)
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Genius begins great works; but labour alone finishes them.

[Le génie commence les beaux ouvrages, mais le travail seul les achève.]

Joseph Joubert (1754-1824) French moralist, philosopher, essayist, poet
Pensées [Thoughts], ch. 23 “Des Qualités de l’Écrivain et des Compositions Littéraires [On Writers and Literature]” ¶ 52 (1850 ed.) [tr. Lyttelton (1899), ch. 22, ¶ 19]
    (Source)

(Source (French)). Alternate translations:

Genius begins beautiful works, but only labor finishes them.
[tr. Calvert (1866), ch. 8]

Genius begins great works; labour alone finishes them.
[tr. Attwell (1896), ¶ 335]

Beautiful works. Genius beings them, but labor alone finishes them.
[tr. Auster (1983)], 1801]

 
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I was held back by mere trifles, the most paltry inanities, all my old attachments. They plucked at my garment of flesh and whispered, “Are you going to dismiss us? From this moment we shall never be with you again, for ever and ever. From this moment you will never again be allowed to do this thing or that, for evermore.” What was it, my God, that they meant when they whispered “this thing or that?” Things so sordid and so shameful that I beg you in your mercy to keep the soul of your servant free from them!

[Retinebant nugae nugarum et vanitates vanitantium, antiquae amicae meae, et succutiebant vestem meam carneam et submurmurabant, “dimittisne nos?” et “a momento isto non erimus tecum ultra in aeternum” et “a momento isto non tibi licebit hoc et illud ultra in aeternum.” et quae suggerebant in eo quod dixi “hoc et illud,” quae suggerebant, deus meus, avertat ab anima servi tui misericordia tua! Quas sordes suggerebant, quae dedecora!]

Augustine of Hippo (354-430) Christian church father, philosopher, saint [b. Aurelius Augustinus]
Confessions, Book 8, ch. 11 / ¶ 26 (8.11.26) (c. AD 398) [tr. Pine-Coffin (1961)]
    (Source)

(Source (Latin)). Alternate translations:

The very toys of toys, and vanities of vanities, my ancient mistresses, still held me; they plucked my fleshy garment, and whispered softly, "Dost thou cast us off? and from that moment shall we no more be with thee for ever? and from that moment shall not this or that be lawful for thee for ever?" And what was it which they suggested in that I said, "this or that," what did they suggest, O my God? Let Thy mercy turn it away from the soul of Thy servant. What defilements did they suggest! what shame!
[tr. Pusey (1838)]

The very toys of toys, and vanities of vanities, my old mistresses, still enthralled me; they shook my fleshly garment, and whispered softly, “Dost thou part with us? And from that moment shall we no more be with thee for ever? And from that moment shall not this or that be lawful for thee for ever?” And what did they suggest to me in the words “this or that?” What is it that they suggested, O my God? Let Thy mercy avert it from the soul of Thy servant. What impurities did they suggest! What shame!
[tr. Pilkington (1876)]

Toys of toys and vanities of vanities, my old loves held me back, and made my fleshly garment quiver whispering softly, “Dost thou leave us? and from that moment shall we never be with thee any more? And from this moment will not this and that be allowed thee for ever?” And what did they suggest in that which I call "this or that"? what did they suggest, my God ? Let Thy Mercy turn it away from the soul of Thy servant! What defilements did they suggest! what shameful things!
[tr. Hutchings (1890)]

Trifles of trifles and vanities of vanities, my old mistresses, held me back; they caught hold of the garment of my flesh and whispered in my ear, "Can you let us go? and from that instant we shall see you no more for ever; and from that instant this and that will be forbidden you for ever.” What did they mean, O m God, what did they mean by "this and that?" O let Thy mercy guard the soul of Thy servant from the vileness, the shame that they meant!
[tr. Bigg (1897), 8.11.2]

Those trifles of all trifles, and vanities of vanities, my one-time mistresses, held me back, plucking at my garment of flesh and murmuring softly: “Are you sending us away?” And “From this moment shall we not be with you, now or forever?” And “From this moment shall this or that not be allowed you, now or forever?” What were they suggesting to me in the phrase I have written “this or that,” what were they suggesting to me, O my God? Do you in your mercy keep from the soul of Your servant the vileness and uncleanness they were suggesting.
[tr. Sheed (1943)]

It was, in fact, my old mistresses, trifles of trifles and vanities of vanities, who still enthralled me. They tugged at my fleshly garments and softly whispered: “Are you going to part with us? And from that moment will we never be with you any more? And from that moment will not this and that be forbidden you forever?” What were they suggesting to me in those words “this or that”? What is it they suggested, O my God? Let thy mercy guard the soul of thy servant from the vileness and the shame they did suggest!
[tr. Outler (1955)]

My lovers of old, trifles of trifles and vanities of vanities held me back. They plucked at my fleshly garment, and they whispered softly: “Do you cast us off?” and “From that moment we shall no more be with you forever and ever!” and again, “From that moment no longer will this thing and that be allowed to you, forever and ever!” What did they suggest by what I have called “this thing and that,” what, O my God, did they suggest? May your mercy turn away all that from your servant’s soul! What filth did they suggest! What deeds of shame!
[tr. Ryan (1960)]

Toys and trifles, utter vanities had been my mistresses, and now they were holding me back, pulling me by the garment of my flesh and softly murmuring in my ear: “Are you getting rid of us?” and “From this moment shall we never be with you again for all eternity?” and “From this moment will you never for all eternity be allowed to do this or to do that?” My God, what was it, what was it that they suggested in those words “this” or “that” which I have just written? I pray you in your mercy to keep such things from the soul of your servant. How filthy, how shameful were these things they were suggesting!
[tr. Warner (1963)]

The trifles of trifles, the worthless amid the worthless, past objects of my affections, were what was holding me, pulling at the garment of my flesh and whispering: "Are you sending us away? From this moment we shall not be with you for eternity? And from this moment you will not be permitted to do this and that for ever?" And what did they suggest by my "this and that", my God? Let your mercy turn it away from your servant’s soul. What impurities, what acts of shame they suggested.
[tr. Blaiklock (1983)]

 
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Dance can reveal all that is mysterious in music, and it has the additional merit of being human and palpable. Dance is poetry with arms and legs; it is matter — gracious, terrible, animated — embellished by movements.

[La danse peut révéler tout ce que la musique recèle de mystérieux, et elle a de plus le mérite d’être humaine et palpable. La danse, c’est la poésie avec des bras et des jambes, c’est la matière, gracieuse et terrible, animée, embellie par le mouvement.]

Charles Baudelaire
Charles Baudelaire (1821-1867) French poet, essayist, art critic
“La Fanfarlo,” Bulletin de la Société des Gens de Lettres (1847-01) [tr. MacKenzie (2008)]
    (Source)

(Source (French)). Alternate translations:

The dance can reveal everything mysterious that is hidden in music, and it has the additional merit of being human and palpable. Dancing is poetry with arms and legs. It is matter, graceful and terrible, animated and embellished by movement.
[tr. Boyd (1986)]

Dance can reveal all the mystery that music hides, and it has the further merit of being human and palpable. Dance is poetry with arms and legs, it’s matter, gracious and terrible, animated and embellished by movement.
[tr. Lloyd (1991)]

 
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LEAR: Come not between the dragon and his wrath.

Shakespeare
William Shakespeare (1564-1616) English dramatist and poet
King Lear, Act 1, sc. 1, l. 136 (1.1.136) (1606)
    (Source)
 
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Let the writer take up surgery or bricklaying if he is interested in technique. There is no mechanical way to get the writing done, no shortcut. The young writer would be a fool to follow a theory. Teach yourself by your own mistakes; people learn only by error.

William Faulkner (1897-1962) American novelist
“The Art of Fiction,” Interview by Jean Stein, Paris Review #12 (Spring 1956)
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Preoccupation with money is the great test of small natures, but only a small test of great ones; there may be a wide gulf between a man who despises money and a genuinely honest man.

[L’intérêt d’argent est la grande épreuve des petits caractères; mais ce n’est encore que la plus petite pour les caractères distingués; et il y a loin de l’homme qui méprise l’argent, à celui qui est véritablement honnête.]

Nicolas Chamfort
Nicolas Chamfort (1741-1794) French writer, epigrammist (b. Nicolas-Sébastien Roch)
Products of Perfected Civilization [Produits de la Civilisation Perfectionée], Part 1 “Maxims and Thoughts [Maximes et Pensées],” ch. 2, ¶ 164 (1795) [tr. Mathers (1926)]
    (Source)

(Source (French)). Alternate translations:

Concern for money is the great test of small natures; but is scarcely a test at all for those who rise above the ordinary; and there is a long way between the man who scorns money and the one who is genuinely honest.
[tr. Merwin (1969)]

Weak characters think money all-important; for any well-bred person, it's a very minor concern.
[tr. Parmée (2003), ¶ 129]

The desire for money can go very far in proving that a person has a petty character, but it has little to say about a persons sincerity; and there is a great distance between a man who scorns money and someone who is truly honest.
[tr. Siniscalchi]

 
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